“We’re what we are because of the Past”: History, Memory, Nostalgia, and Identity in Walter Sullivan’s <i>The Long, Long Love</i>

Walter Sullivan (1924–2006), a Nashville, Tennessee native who spent most of his academic and professional life at Vanderbilt University, is generally considered by critics as a literary descendent of the first two generations of Fugitive-Agrarians and the Southern Renaissance to which they belong....

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Main Author: Tanfer Emin Tune
Format: Article
Language:English
Published: CBS Open Journals 2014-09-01
Series:American Studies in Scandinavia
Online Access:https://192.168.7.25:443/index.php/assc/article/view/5134
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author Tanfer Emin Tune
author_facet Tanfer Emin Tune
author_sort Tanfer Emin Tune
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description Walter Sullivan (1924–2006), a Nashville, Tennessee native who spent most of his academic and professional life at Vanderbilt University, is generally considered by critics as a literary descendent of the first two generations of Fugitive-Agrarians and the Southern Renaissance to which they belong. This essay seeks to position Sullivan’s second, largely forgotten novel, The Long, Long Love as part of the postagrarian, post-Renaissance, postmodern, and post-southern American intellectual reevaluation of the South that questions tradition through an assertion of “pro–New South, pro–urban, and pro–capitalist” values and thoroughly reconsiders Civil War “truths,” myths, history, and memory.
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spelling doaj.art-6677afc8e0f941e39d0eaf910081a7502023-06-13T12:10:51ZengCBS Open JournalsAmerican Studies in Scandinavia0044-80602014-09-0146210.22439/asca.v46i2.5134“We’re what we are because of the Past”: History, Memory, Nostalgia, and Identity in Walter Sullivan’s <i>The Long, Long Love</i>Tanfer Emin Tune0Hacettepe UniversityWalter Sullivan (1924–2006), a Nashville, Tennessee native who spent most of his academic and professional life at Vanderbilt University, is generally considered by critics as a literary descendent of the first two generations of Fugitive-Agrarians and the Southern Renaissance to which they belong. This essay seeks to position Sullivan’s second, largely forgotten novel, The Long, Long Love as part of the postagrarian, post-Renaissance, postmodern, and post-southern American intellectual reevaluation of the South that questions tradition through an assertion of “pro–New South, pro–urban, and pro–capitalist” values and thoroughly reconsiders Civil War “truths,” myths, history, and memory.https://192.168.7.25:443/index.php/assc/article/view/5134
spellingShingle Tanfer Emin Tune
“We’re what we are because of the Past”: History, Memory, Nostalgia, and Identity in Walter Sullivan’s <i>The Long, Long Love</i>
American Studies in Scandinavia
title “We’re what we are because of the Past”: History, Memory, Nostalgia, and Identity in Walter Sullivan’s <i>The Long, Long Love</i>
title_full “We’re what we are because of the Past”: History, Memory, Nostalgia, and Identity in Walter Sullivan’s <i>The Long, Long Love</i>
title_fullStr “We’re what we are because of the Past”: History, Memory, Nostalgia, and Identity in Walter Sullivan’s <i>The Long, Long Love</i>
title_full_unstemmed “We’re what we are because of the Past”: History, Memory, Nostalgia, and Identity in Walter Sullivan’s <i>The Long, Long Love</i>
title_short “We’re what we are because of the Past”: History, Memory, Nostalgia, and Identity in Walter Sullivan’s <i>The Long, Long Love</i>
title_sort we re what we are because of the past history memory nostalgia and identity in walter sullivan s i the long long love i
url https://192.168.7.25:443/index.php/assc/article/view/5134
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