<i>La Celestina</i> as a model in Rafael Chirbes' <i>Crematorio</i>

Chirbes expressed his interest in La Celestina mainly in the article «Sin piedad ni esperanza. (Revolución literaria en La Celestina)», but also in promotional interviews for En la orilla, certain entries in his unpublished diaries, A ratos perdidos, and personal reading notes made in two editions o...

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Main Author: Jacobo Llamas Martínez
Format: Article
Language:English
Published: Universidad de Valencia, Departamento de Filología Española 2021-01-01
Series:Celestinesca
Subjects:
Online Access:https://ojs.uv.es/index.php/celestinesca/article/view/19432
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author Jacobo Llamas Martínez
author_facet Jacobo Llamas Martínez
author_sort Jacobo Llamas Martínez
collection DOAJ
description Chirbes expressed his interest in La Celestina mainly in the article «Sin piedad ni esperanza. (Revolución literaria en La Celestina)», but also in promotional interviews for En la orilla, certain entries in his unpublished diaries, A ratos perdidos, and personal reading notes made in two editions of the work kept at the Fundació Rafael Chirbes (that of Peter E. Russell in 1991 and of Francisco J. Lobera et alii in 2000). In this article, Chirbes’s impressions of Rojas’s text are compared with the structure and monologue of Crematorio; with the types, relationships and register of its characters; and with its callous tone and environment.
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spelling doaj.art-66810d00140846ac8c2a6efab792c6062024-10-03T08:10:03ZengUniversidad de Valencia, Departamento de Filología EspañolaCelestinesca0147-30852695-71832021-01-0144016319010.7203/Celestinesca.44.1943214058<i>La Celestina</i> as a model in Rafael Chirbes' <i>Crematorio</i>Jacobo Llamas Martínez0<p>I.E.S. Xes&uacute;s Taboada Chivite</p>Chirbes expressed his interest in La Celestina mainly in the article «Sin piedad ni esperanza. (Revolución literaria en La Celestina)», but also in promotional interviews for En la orilla, certain entries in his unpublished diaries, A ratos perdidos, and personal reading notes made in two editions of the work kept at the Fundació Rafael Chirbes (that of Peter E. Russell in 1991 and of Francisco J. Lobera et alii in 2000). In this article, Chirbes’s impressions of Rojas’s text are compared with the structure and monologue of Crematorio; with the types, relationships and register of its characters; and with its callous tone and environment.https://ojs.uv.es/index.php/celestinesca/article/view/19432rafael chirbesfernando de rojascrematoriola celestinafuentesintertextualidad
spellingShingle Jacobo Llamas Martínez
<i>La Celestina</i> as a model in Rafael Chirbes' <i>Crematorio</i>
Celestinesca
rafael chirbes
fernando de rojas
crematorio
la celestina
fuentes
intertextualidad
title <i>La Celestina</i> as a model in Rafael Chirbes' <i>Crematorio</i>
title_full <i>La Celestina</i> as a model in Rafael Chirbes' <i>Crematorio</i>
title_fullStr <i>La Celestina</i> as a model in Rafael Chirbes' <i>Crematorio</i>
title_full_unstemmed <i>La Celestina</i> as a model in Rafael Chirbes' <i>Crematorio</i>
title_short <i>La Celestina</i> as a model in Rafael Chirbes' <i>Crematorio</i>
title_sort i la celestina i as a model in rafael chirbes i crematorio i
topic rafael chirbes
fernando de rojas
crematorio
la celestina
fuentes
intertextualidad
url https://ojs.uv.es/index.php/celestinesca/article/view/19432
work_keys_str_mv AT jacobollamasmartinez ilacelestinaiasamodelinrafaelchirbesicrematorioi