Toward an Analysis of Fascist Fiction: The Contemptuous Narrator in the Works of Brasillach, Céline and Drieu la Rochelle

Attempts to analyze the nature of French fascist literature have often foundered on the difficulties of defining fascism as a political ideology and on the apparent heterogeneity of the writers themselves. This paper seeks to discern the traces of political ideology in the fiction of Brasillach, Cel...

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Main Author: Mary Jean Green
Format: Article
Language:English
Published: New Prairie Press 1985-09-01
Series:Studies in 20th & 21st Century Literature
Online Access:http://newprairiepress.org/sttcl/vol10/iss1/7
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author Mary Jean Green
author_facet Mary Jean Green
author_sort Mary Jean Green
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description Attempts to analyze the nature of French fascist literature have often foundered on the difficulties of defining fascism as a political ideology and on the apparent heterogeneity of the writers themselves. This paper seeks to discern the traces of political ideology in the fiction of Brasillach, Celine and Drieu la Rochelle, the three principal French fascist novelists of the 1930s, through an examination of the literary techniques used in the works themselves. In this reading, the feature common to the texts is not the expression of a collective enthusiasm often identified with fascism but rather the repeated use of a distanced, even contemptuous, narrative voice. This technique can be related to a recognized feature of fascist ideology, a spirit of social hierarchy and anti-egalitarianism and serves to distinguish these texts written under the sign of fascism from the fiction of the same period inspired by an ideology of the Left.
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spelling doaj.art-668e32f0545b402cac9ee41cd71d25b52022-12-22T00:53:57ZengNew Prairie PressStudies in 20th & 21st Century Literature2334-44151985-09-0110110.4148/2334-4415.11755601626Toward an Analysis of Fascist Fiction: The Contemptuous Narrator in the Works of Brasillach, Céline and Drieu la RochelleMary Jean GreenAttempts to analyze the nature of French fascist literature have often foundered on the difficulties of defining fascism as a political ideology and on the apparent heterogeneity of the writers themselves. This paper seeks to discern the traces of political ideology in the fiction of Brasillach, Celine and Drieu la Rochelle, the three principal French fascist novelists of the 1930s, through an examination of the literary techniques used in the works themselves. In this reading, the feature common to the texts is not the expression of a collective enthusiasm often identified with fascism but rather the repeated use of a distanced, even contemptuous, narrative voice. This technique can be related to a recognized feature of fascist ideology, a spirit of social hierarchy and anti-egalitarianism and serves to distinguish these texts written under the sign of fascism from the fiction of the same period inspired by an ideology of the Left.http://newprairiepress.org/sttcl/vol10/iss1/7
spellingShingle Mary Jean Green
Toward an Analysis of Fascist Fiction: The Contemptuous Narrator in the Works of Brasillach, Céline and Drieu la Rochelle
Studies in 20th & 21st Century Literature
title Toward an Analysis of Fascist Fiction: The Contemptuous Narrator in the Works of Brasillach, Céline and Drieu la Rochelle
title_full Toward an Analysis of Fascist Fiction: The Contemptuous Narrator in the Works of Brasillach, Céline and Drieu la Rochelle
title_fullStr Toward an Analysis of Fascist Fiction: The Contemptuous Narrator in the Works of Brasillach, Céline and Drieu la Rochelle
title_full_unstemmed Toward an Analysis of Fascist Fiction: The Contemptuous Narrator in the Works of Brasillach, Céline and Drieu la Rochelle
title_short Toward an Analysis of Fascist Fiction: The Contemptuous Narrator in the Works of Brasillach, Céline and Drieu la Rochelle
title_sort toward an analysis of fascist fiction the contemptuous narrator in the works of brasillach celine and drieu la rochelle
url http://newprairiepress.org/sttcl/vol10/iss1/7
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