L’« enquête artistique » : les méthodes de représentation artistique du monde du travail en question
This article is the result of a presentation made in the workshop “The artist at work”, in the colloquium Images of work, Work of Images (Poitiers, February 13, 2013). The purpose is to discuss the methods of artistic representation of the working worlds and to interrogate the position of the artist...
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| Format: | Article |
| Language: | fra |
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Université de Poitiers
2016-09-01
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| Series: | Images du Travail, Travail des Images |
| Subjects: | |
| Online Access: | http://journals.openedition.org/itti/1197 |
| _version_ | 1797667111489765376 |
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| author | Jan Middelbos |
| author_facet | Jan Middelbos |
| author_sort | Jan Middelbos |
| collection | DOAJ |
| description | This article is the result of a presentation made in the workshop “The artist at work”, in the colloquium Images of work, Work of Images (Poitiers, February 13, 2013). The purpose is to discuss the methods of artistic representation of the working worlds and to interrogate the position of the artist in relation with his models, the workers. How does the artist get into his field, his setting? Is he an employee or a visitor? If he’s been invited to the enterprise, how will he negotiate the mise-en-scene with the workers? In what context and for what type of public will he show his final work? What would be the benefit (intellectual, professional, financial, etc.)?We want to focus on questions that arise both inside and outside the field of artistic representation. Among them, the terms of production and display of the images, the contractual relationship that the artists have with the workers, the “imbalance subjective” (product of the division of labor between the representatives and the represented) that persist between the artists and the workers, etc. We will follow methodologies used by artists who work in the aesthetic category of documentary art. The aim is to know how the invited-artist diminishes the invisibility of the workers, but also how he can restore the “imbalance subjective” between the author and his model, and what other perspective the employee-artist can propose from the world of work that he live in. |
| first_indexed | 2024-03-11T20:08:31Z |
| format | Article |
| id | doaj.art-66c82acf757443cd81d78306d1816c41 |
| institution | Directory Open Access Journal |
| issn | 2778-8628 |
| language | fra |
| last_indexed | 2024-03-11T20:08:31Z |
| publishDate | 2016-09-01 |
| publisher | Université de Poitiers |
| record_format | Article |
| series | Images du Travail, Travail des Images |
| spelling | doaj.art-66c82acf757443cd81d78306d1816c412023-10-03T13:01:30ZfraUniversité de PoitiersImages du Travail, Travail des Images2778-86282016-09-01210.4000/itti.1197L’« enquête artistique » : les méthodes de représentation artistique du monde du travail en questionJan MiddelbosThis article is the result of a presentation made in the workshop “The artist at work”, in the colloquium Images of work, Work of Images (Poitiers, February 13, 2013). The purpose is to discuss the methods of artistic representation of the working worlds and to interrogate the position of the artist in relation with his models, the workers. How does the artist get into his field, his setting? Is he an employee or a visitor? If he’s been invited to the enterprise, how will he negotiate the mise-en-scene with the workers? In what context and for what type of public will he show his final work? What would be the benefit (intellectual, professional, financial, etc.)?We want to focus on questions that arise both inside and outside the field of artistic representation. Among them, the terms of production and display of the images, the contractual relationship that the artists have with the workers, the “imbalance subjective” (product of the division of labor between the representatives and the represented) that persist between the artists and the workers, etc. We will follow methodologies used by artists who work in the aesthetic category of documentary art. The aim is to know how the invited-artist diminishes the invisibility of the workers, but also how he can restore the “imbalance subjective” between the author and his model, and what other perspective the employee-artist can propose from the world of work that he live in.http://journals.openedition.org/itti/1197representationworkermethoddivision of laborinvited-artistmise-en-scene |
| spellingShingle | Jan Middelbos L’« enquête artistique » : les méthodes de représentation artistique du monde du travail en question Images du Travail, Travail des Images representation worker method division of labor invited-artist mise-en-scene |
| title | L’« enquête artistique » : les méthodes de représentation artistique du monde du travail en question |
| title_full | L’« enquête artistique » : les méthodes de représentation artistique du monde du travail en question |
| title_fullStr | L’« enquête artistique » : les méthodes de représentation artistique du monde du travail en question |
| title_full_unstemmed | L’« enquête artistique » : les méthodes de représentation artistique du monde du travail en question |
| title_short | L’« enquête artistique » : les méthodes de représentation artistique du monde du travail en question |
| title_sort | l enquete artistique les methodes de representation artistique du monde du travail en question |
| topic | representation worker method division of labor invited-artist mise-en-scene |
| url | http://journals.openedition.org/itti/1197 |
| work_keys_str_mv | AT janmiddelbos lenqueteartistiquelesmethodesderepresentationartistiquedumondedutravailenquestion |