In die gees van die Dionisiese: Marlene van Niekerk se aanhangersbrief aan Freddy Mercury

Drawing on Nietzsche’s dichotomy between the Apollonian and Dionysian principles pertaining to classic tragedy, in this article, I consider the poem “Fan mail Freddy Mercury” by Marlene van Niekerk, from Kaar (2013) from that perspective. The poem deals with the rock musician Freddy Mercury and from...

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Main Author: Marius Crous
Format: Article
Language:Afrikaans
Published: Tydskrif vir Letterkunde Association 2022-09-01
Series:Tydskrif vir Letterkunde
Subjects:
Online Access:https://letterkunde.africa/article/view/13422
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author Marius Crous
author_facet Marius Crous
author_sort Marius Crous
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description Drawing on Nietzsche’s dichotomy between the Apollonian and Dionysian principles pertaining to classic tragedy, in this article, I consider the poem “Fan mail Freddy Mercury” by Marlene van Niekerk, from Kaar (2013) from that perspective. The poem deals with the rock musician Freddy Mercury and from my reading is shown to be exemplifying the Dionysian spirit through Mercury’s movements, his performance and his vocal range. From my reading of the text it is evident that there was a strong fusion of the Apollonian and Dionysian in the life and work of Freddy Mercury. Despite his rebellious spirit and his negation of the faith of his childhood, culture dictated that he be buried in his faith. Van Niekerk, with her insight into the philosophy of Nietzsche, adds another dimension to the poem when she invokes Zarathustra, Nietzsche’s prophetic figure, to be distinguished from the historical god of the Zoroaster faith. The metaphorical language used by the poet suggests her Dionysian playfulness.
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spelling doaj.art-66d1c0784ff345d9ac0a33e6b104a8a82022-12-22T03:18:27ZafrTydskrif vir Letterkunde AssociationTydskrif vir Letterkunde0041-476X2309-90702022-09-0159210.17159/tl.v59i2.13422In die gees van die Dionisiese: Marlene van Niekerk se aanhangersbrief aan Freddy Mercury Marius Crous0Nelson Mandela University, Gqeberha, South AfricaDrawing on Nietzsche’s dichotomy between the Apollonian and Dionysian principles pertaining to classic tragedy, in this article, I consider the poem “Fan mail Freddy Mercury” by Marlene van Niekerk, from Kaar (2013) from that perspective. The poem deals with the rock musician Freddy Mercury and from my reading is shown to be exemplifying the Dionysian spirit through Mercury’s movements, his performance and his vocal range. From my reading of the text it is evident that there was a strong fusion of the Apollonian and Dionysian in the life and work of Freddy Mercury. Despite his rebellious spirit and his negation of the faith of his childhood, culture dictated that he be buried in his faith. Van Niekerk, with her insight into the philosophy of Nietzsche, adds another dimension to the poem when she invokes Zarathustra, Nietzsche’s prophetic figure, to be distinguished from the historical god of the Zoroaster faith. The metaphorical language used by the poet suggests her Dionysian playfulness. https://letterkunde.africa/article/view/13422Apollo versus DionysusKaarMarlene van NiekerkFriedrich Nietzsche
spellingShingle Marius Crous
In die gees van die Dionisiese: Marlene van Niekerk se aanhangersbrief aan Freddy Mercury
Tydskrif vir Letterkunde
Apollo versus Dionysus
Kaar
Marlene van Niekerk
Friedrich Nietzsche
title In die gees van die Dionisiese: Marlene van Niekerk se aanhangersbrief aan Freddy Mercury
title_full In die gees van die Dionisiese: Marlene van Niekerk se aanhangersbrief aan Freddy Mercury
title_fullStr In die gees van die Dionisiese: Marlene van Niekerk se aanhangersbrief aan Freddy Mercury
title_full_unstemmed In die gees van die Dionisiese: Marlene van Niekerk se aanhangersbrief aan Freddy Mercury
title_short In die gees van die Dionisiese: Marlene van Niekerk se aanhangersbrief aan Freddy Mercury
title_sort in die gees van die dionisiese marlene van niekerk se aanhangersbrief aan freddy mercury
topic Apollo versus Dionysus
Kaar
Marlene van Niekerk
Friedrich Nietzsche
url https://letterkunde.africa/article/view/13422
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