Graffiti Futures

Historical graffiti survives in much greater quantities than has hitherto been understood. For those with eyes to see it, the technologies to restore it to visibility, and the patience to learn to read it, graffiti can be found everywhere. Graffiti is also a phenomenon of current consequence that co...

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Bibliographic Details
Main Author: Juliet Fleming
Format: Article
Language:English
Published: Firenze University Press 2020-03-01
Series:Journal of Early Modern Studies
Subjects:
Online Access:https://oajournals.fupress.net/index.php/bsfm-jems/article/view/11188
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author Juliet Fleming
author_facet Juliet Fleming
author_sort Juliet Fleming
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description Historical graffiti survives in much greater quantities than has hitherto been understood. For those with eyes to see it, the technologies to restore it to visibility, and the patience to learn to read it, graffiti can be found everywhere. Graffiti is also a phenomenon of current consequence that continues to produce and constitute archives of immense historical importance. But there is nothing singular about it, and its global history – which might be said to run from Upper Paleolithic hand stencils (40,000 CE) to the present – could never be written. For those who study graffiti are quickly confronted with the contingency of our own concepts: starting with ‘writing’, and including ‘art’, ‘public/private’, ‘property’, ‘authorized/unauthorized’, ‘literate’ and ‘literacy’, ‘authenticity’, ‘spontaneity’, ‘signature’, ‘author’, ‘criminal’, and ‘popular’. Our task – which is already immense – is to develop site-specific protocols that will allow us to identify, read, and preserve without judgment the astonishing archives that are comprised by graffiti as it occurs at local sites, within local writing economies or ‘graphospheres’.
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spelling doaj.art-670f9556b6b347448f84746fcfda24632022-12-22T03:20:30ZengFirenze University PressJournal of Early Modern Studies2279-71492020-03-01910.13128/jems-2279-7149-11188Graffiti FuturesJuliet Fleming0New York UniversityHistorical graffiti survives in much greater quantities than has hitherto been understood. For those with eyes to see it, the technologies to restore it to visibility, and the patience to learn to read it, graffiti can be found everywhere. Graffiti is also a phenomenon of current consequence that continues to produce and constitute archives of immense historical importance. But there is nothing singular about it, and its global history – which might be said to run from Upper Paleolithic hand stencils (40,000 CE) to the present – could never be written. For those who study graffiti are quickly confronted with the contingency of our own concepts: starting with ‘writing’, and including ‘art’, ‘public/private’, ‘property’, ‘authorized/unauthorized’, ‘literate’ and ‘literacy’, ‘authenticity’, ‘spontaneity’, ‘signature’, ‘author’, ‘criminal’, and ‘popular’. Our task – which is already immense – is to develop site-specific protocols that will allow us to identify, read, and preserve without judgment the astonishing archives that are comprised by graffiti as it occurs at local sites, within local writing economies or ‘graphospheres’.https://oajournals.fupress.net/index.php/bsfm-jems/article/view/11188FuturesGraffitiHistoriesLocalTheory
spellingShingle Juliet Fleming
Graffiti Futures
Journal of Early Modern Studies
Futures
Graffiti
Histories
Local
Theory
title Graffiti Futures
title_full Graffiti Futures
title_fullStr Graffiti Futures
title_full_unstemmed Graffiti Futures
title_short Graffiti Futures
title_sort graffiti futures
topic Futures
Graffiti
Histories
Local
Theory
url https://oajournals.fupress.net/index.php/bsfm-jems/article/view/11188
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