Graffiti Futures
Historical graffiti survives in much greater quantities than has hitherto been understood. For those with eyes to see it, the technologies to restore it to visibility, and the patience to learn to read it, graffiti can be found everywhere. Graffiti is also a phenomenon of current consequence that co...
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Format: | Article |
Language: | English |
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Firenze University Press
2020-03-01
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Series: | Journal of Early Modern Studies |
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Online Access: | https://oajournals.fupress.net/index.php/bsfm-jems/article/view/11188 |
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author | Juliet Fleming |
author_facet | Juliet Fleming |
author_sort | Juliet Fleming |
collection | DOAJ |
description | Historical graffiti survives in much greater quantities than has hitherto been understood. For those with eyes to see it, the technologies to restore it to visibility, and the patience to learn to read it, graffiti can be found everywhere. Graffiti is also a phenomenon of current consequence that continues to produce and constitute archives of immense historical importance. But there is nothing singular about it, and its global history – which might be said to run from Upper Paleolithic hand stencils (40,000 CE) to the present – could never be written. For those who study graffiti are quickly confronted with the contingency of our own concepts: starting with ‘writing’, and including ‘art’, ‘public/private’, ‘property’, ‘authorized/unauthorized’, ‘literate’ and ‘literacy’, ‘authenticity’, ‘spontaneity’, ‘signature’, ‘author’, ‘criminal’, and ‘popular’. Our task – which is already immense – is to develop site-specific protocols that will allow us to identify, read, and preserve without judgment the astonishing archives that are comprised by graffiti as it occurs at local sites, within local writing economies or ‘graphospheres’. |
first_indexed | 2024-04-12T18:50:07Z |
format | Article |
id | doaj.art-670f9556b6b347448f84746fcfda2463 |
institution | Directory Open Access Journal |
issn | 2279-7149 |
language | English |
last_indexed | 2024-04-12T18:50:07Z |
publishDate | 2020-03-01 |
publisher | Firenze University Press |
record_format | Article |
series | Journal of Early Modern Studies |
spelling | doaj.art-670f9556b6b347448f84746fcfda24632022-12-22T03:20:30ZengFirenze University PressJournal of Early Modern Studies2279-71492020-03-01910.13128/jems-2279-7149-11188Graffiti FuturesJuliet Fleming0New York UniversityHistorical graffiti survives in much greater quantities than has hitherto been understood. For those with eyes to see it, the technologies to restore it to visibility, and the patience to learn to read it, graffiti can be found everywhere. Graffiti is also a phenomenon of current consequence that continues to produce and constitute archives of immense historical importance. But there is nothing singular about it, and its global history – which might be said to run from Upper Paleolithic hand stencils (40,000 CE) to the present – could never be written. For those who study graffiti are quickly confronted with the contingency of our own concepts: starting with ‘writing’, and including ‘art’, ‘public/private’, ‘property’, ‘authorized/unauthorized’, ‘literate’ and ‘literacy’, ‘authenticity’, ‘spontaneity’, ‘signature’, ‘author’, ‘criminal’, and ‘popular’. Our task – which is already immense – is to develop site-specific protocols that will allow us to identify, read, and preserve without judgment the astonishing archives that are comprised by graffiti as it occurs at local sites, within local writing economies or ‘graphospheres’.https://oajournals.fupress.net/index.php/bsfm-jems/article/view/11188FuturesGraffitiHistoriesLocalTheory |
spellingShingle | Juliet Fleming Graffiti Futures Journal of Early Modern Studies Futures Graffiti Histories Local Theory |
title | Graffiti Futures |
title_full | Graffiti Futures |
title_fullStr | Graffiti Futures |
title_full_unstemmed | Graffiti Futures |
title_short | Graffiti Futures |
title_sort | graffiti futures |
topic | Futures Graffiti Histories Local Theory |
url | https://oajournals.fupress.net/index.php/bsfm-jems/article/view/11188 |
work_keys_str_mv | AT julietfleming graffitifutures |