Sylvio Back in the tensions between cinema and state: the 60’s and 70’s

This paper discusses filmmaker Sylvio Back and the relationships between cinema and the State during Brazil’s military regime in the 1960s and 1970s. Back then, Brazilian cinema was mainly political and aggressive. At the same time, the government was interested in the film industry, and created awa...

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Main Author: Rosane Kaminski
Format: Article
Language:English
Published: Universidade Estadual de Londrina 2015-07-01
Series:Antíteses
Subjects:
Online Access:http://www.uel.br/revistas/uel/index.php/antiteses/article/view/21207
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author Rosane Kaminski
author_facet Rosane Kaminski
author_sort Rosane Kaminski
collection DOAJ
description This paper discusses filmmaker Sylvio Back and the relationships between cinema and the State during Brazil’s military regime in the 1960s and 1970s. Back then, Brazilian cinema was mainly political and aggressive. At the same time, the government was interested in the film industry, and created awards and financing entities in order to increase national box office earnings. Sylvio Back then started to make films, saying that his intentions were to make “serious” movies, but that could be understood by their public. To analyze this filmmaker’s insertion in the conflicts between cinema and the State, we used interviews and testimonies from Back himself that were published on the press at the time, and understood that his fiction movies were a form of positioning himself on his context’s political and aesthetic matters.
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spelling doaj.art-674151c0ab1d463087468a2747aa53572022-12-22T01:13:44ZengUniversidade Estadual de LondrinaAntíteses1984-33562015-07-018159111110.5433/1984-3356.2015v8n15p9112067Sylvio Back in the tensions between cinema and state: the 60’s and 70’sRosane Kaminski0Universidade Federal do ParanáThis paper discusses filmmaker Sylvio Back and the relationships between cinema and the State during Brazil’s military regime in the 1960s and 1970s. Back then, Brazilian cinema was mainly political and aggressive. At the same time, the government was interested in the film industry, and created awards and financing entities in order to increase national box office earnings. Sylvio Back then started to make films, saying that his intentions were to make “serious” movies, but that could be understood by their public. To analyze this filmmaker’s insertion in the conflicts between cinema and the State, we used interviews and testimonies from Back himself that were published on the press at the time, and understood that his fiction movies were a form of positioning himself on his context’s political and aesthetic matters.http://www.uel.br/revistas/uel/index.php/antiteses/article/view/21207cinema e históriacinema brasileiro, Sylvio Backregime militar
spellingShingle Rosane Kaminski
Sylvio Back in the tensions between cinema and state: the 60’s and 70’s
Antíteses
cinema e história
cinema brasileiro, Sylvio Back
regime militar
title Sylvio Back in the tensions between cinema and state: the 60’s and 70’s
title_full Sylvio Back in the tensions between cinema and state: the 60’s and 70’s
title_fullStr Sylvio Back in the tensions between cinema and state: the 60’s and 70’s
title_full_unstemmed Sylvio Back in the tensions between cinema and state: the 60’s and 70’s
title_short Sylvio Back in the tensions between cinema and state: the 60’s and 70’s
title_sort sylvio back in the tensions between cinema and state the 60 s and 70 s
topic cinema e história
cinema brasileiro, Sylvio Back
regime militar
url http://www.uel.br/revistas/uel/index.php/antiteses/article/view/21207
work_keys_str_mv AT rosanekaminski sylviobackinthetensionsbetweencinemaandstatethe60sand70s