Judith Weir's Instrumental Music as Description
Abstract This study explores Judith Weir's abstract descriptive technique in her instrumental music, Distance and Enchantment (1988) for piano quartet and Musicians Wrestle Everywhere for ten instruments (1994). Folksongs and a location used and described in the music, respectively, are interpr...
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| Format: | Article |
| Language: | English |
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Escola de Música da UFMG
2016-04-01
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| Series: | Per Musi |
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| Online Access: | http://www.scielo.br/scielo.php?script=sci_arttext&pid=S1517-75992016000300059&tlng=en |
| _version_ | 1823994033966415872 |
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| author | Kheng K. Koay |
| author_facet | Kheng K. Koay |
| author_sort | Kheng K. Koay |
| collection | DOAJ |
| description | Abstract This study explores Judith Weir's abstract descriptive technique in her instrumental music, Distance and Enchantment (1988) for piano quartet and Musicians Wrestle Everywhere for ten instruments (1994). Folksongs and a location used and described in the music, respectively, are interpreted and "produced" through musical characters and mood. In most cases musical characters and gestures have a tendency to associate musical motion to arouse images. The decisions, ideas and styles in these compositions may be applied to works in other genres and her later works, as well. |
| first_indexed | 2024-12-18T16:28:45Z |
| format | Article |
| id | doaj.art-67a2f578cbb2438c99f10217817a985a |
| institution | Directory Open Access Journal |
| issn | 1517-7599 |
| language | English |
| last_indexed | 2024-12-18T16:28:45Z |
| publishDate | 2016-04-01 |
| publisher | Escola de Música da UFMG |
| record_format | Article |
| series | Per Musi |
| spelling | doaj.art-67a2f578cbb2438c99f10217817a985a2022-12-21T21:01:31ZengEscola de Música da UFMGPer Musi1517-75992016-04-0133597810.1590/permusi20163303Judith Weir's Instrumental Music as DescriptionKheng K. KoayAbstract This study explores Judith Weir's abstract descriptive technique in her instrumental music, Distance and Enchantment (1988) for piano quartet and Musicians Wrestle Everywhere for ten instruments (1994). Folksongs and a location used and described in the music, respectively, are interpreted and "produced" through musical characters and mood. In most cases musical characters and gestures have a tendency to associate musical motion to arouse images. The decisions, ideas and styles in these compositions may be applied to works in other genres and her later works, as well.http://www.scielo.br/scielo.php?script=sci_arttext&pid=S1517-75992016000300059&tlng=enJudith Weir's music20th-century musicmusic as description |
| spellingShingle | Kheng K. Koay Judith Weir's Instrumental Music as Description Per Musi Judith Weir's music 20th-century music music as description |
| title | Judith Weir's Instrumental Music as Description |
| title_full | Judith Weir's Instrumental Music as Description |
| title_fullStr | Judith Weir's Instrumental Music as Description |
| title_full_unstemmed | Judith Weir's Instrumental Music as Description |
| title_short | Judith Weir's Instrumental Music as Description |
| title_sort | judith weir s instrumental music as description |
| topic | Judith Weir's music 20th-century music music as description |
| url | http://www.scielo.br/scielo.php?script=sci_arttext&pid=S1517-75992016000300059&tlng=en |
| work_keys_str_mv | AT khengkkoay judithweirsinstrumentalmusicasdescription |