Topos "locus amoenus" w łacińskiej poezji chrześcijańskiego antyku

This paper deals with the topos of locus amoenus in Latin poetry of Christian antiquity. Descriptions of idealized landscape can be found in whole literary tradition from Homer on. In Latin epic poetry Virgil used this device to describe Elysium, which Aeneas enters in the Aeneid. In Virgil’s eclog...

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Main Author: Tadeusz Gacia
Format: Article
Language:English
Published: The John Paul II Catholic University of Lublin 2008-06-01
Series:Vox Patrum
Subjects:
Online Access:https://czasopisma.kul.pl/index.php/vp/article/view/8051
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author Tadeusz Gacia
author_facet Tadeusz Gacia
author_sort Tadeusz Gacia
collection DOAJ
description This paper deals with the topos of locus amoenus in Latin poetry of Christian antiquity. Descriptions of idealized landscape can be found in whole literary tradition from Homer on. In Latin epic poetry Virgil used this device to describe Elysium, which Aeneas enters in the Aeneid. In Virgil’s eclogues locus amoenus is a place of refuge for shepherds from calamities of fate and an alien world. For the farmer in his Georgics it is a reward for honest agricultural work. For Horace it was an escape from the noise of the city. For Christian poets, Prudentius in Cathemerinon, Sedulius in Carmen paschale, Avitus of Vienne, Dracontius, Venantius Fortunatus and other, locus amoenus becomes the biblical paradise in the eschatological sense, or morę generally, salvation. Use of the topos of locus amoenus shows the cultural continuity of antiquity. In Christian poetry this theme is filled with a new content, but the process of thinking and artistic creation remains they share with classical authors.
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spelling doaj.art-67de765862d34b5ea21fb35fc77a3d582023-08-05T21:00:10ZengThe John Paul II Catholic University of LublinVox Patrum0860-94112719-35862008-06-0152110.31743/vp.8051Topos "locus amoenus" w łacińskiej poezji chrześcijańskiego antykuTadeusz Gacia This paper deals with the topos of locus amoenus in Latin poetry of Christian antiquity. Descriptions of idealized landscape can be found in whole literary tradition from Homer on. In Latin epic poetry Virgil used this device to describe Elysium, which Aeneas enters in the Aeneid. In Virgil’s eclogues locus amoenus is a place of refuge for shepherds from calamities of fate and an alien world. For the farmer in his Georgics it is a reward for honest agricultural work. For Horace it was an escape from the noise of the city. For Christian poets, Prudentius in Cathemerinon, Sedulius in Carmen paschale, Avitus of Vienne, Dracontius, Venantius Fortunatus and other, locus amoenus becomes the biblical paradise in the eschatological sense, or morę generally, salvation. Use of the topos of locus amoenus shows the cultural continuity of antiquity. In Christian poetry this theme is filled with a new content, but the process of thinking and artistic creation remains they share with classical authors. https://czasopisma.kul.pl/index.php/vp/article/view/8051locus amoenustopospoezja łacińskaantyk chrześcijańskipoezja chrześcijańskaPrudencjusz
spellingShingle Tadeusz Gacia
Topos "locus amoenus" w łacińskiej poezji chrześcijańskiego antyku
Vox Patrum
locus amoenus
topos
poezja łacińska
antyk chrześcijański
poezja chrześcijańska
Prudencjusz
title Topos "locus amoenus" w łacińskiej poezji chrześcijańskiego antyku
title_full Topos "locus amoenus" w łacińskiej poezji chrześcijańskiego antyku
title_fullStr Topos "locus amoenus" w łacińskiej poezji chrześcijańskiego antyku
title_full_unstemmed Topos "locus amoenus" w łacińskiej poezji chrześcijańskiego antyku
title_short Topos "locus amoenus" w łacińskiej poezji chrześcijańskiego antyku
title_sort topos locus amoenus w lacinskiej poezji chrzescijanskiego antyku
topic locus amoenus
topos
poezja łacińska
antyk chrześcijański
poezja chrześcijańska
Prudencjusz
url https://czasopisma.kul.pl/index.php/vp/article/view/8051
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