New Materials: Natural Elements and the Body in Screendance

This article explores the practice of shooting on location in screendance advocating for a practice that explores the concept of material specificity in order to create grounded conceptual works. In order to metaphorically and literally ground the dancing body, this article examines the crucial dich...

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Main Author: Sylvie Michelle Vitaglione
Format: Article
Language:English
Published: The Ohio State University Libraries 2016-05-01
Series:The International Journal of Screendance
Subjects:
Online Access:http://screendancejournal.org/article/view/4939
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author Sylvie Michelle Vitaglione
author_facet Sylvie Michelle Vitaglione
author_sort Sylvie Michelle Vitaglione
collection DOAJ
description This article explores the practice of shooting on location in screendance advocating for a practice that explores the concept of material specificity in order to create grounded conceptual works. In order to metaphorically and literally ground the dancing body, this article examines the crucial dichotomy between intervention in sites and integration of sites in order to understand exactly what stance screendance takes on its settings. In other words, what do artists take from the site and what do they bring to it? I begin by examining various definitions of site-specificity. By surveying theories and practices surrounding the artistic treatments of locations, my aim is to highlight the choreographic and cinematic techniques that connect the dancing body to the environment. I argue that through the use of natural elements these films articulate a version of site-specificity deeply connected to the materiality of each location rather than to its geography or history.
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spelling doaj.art-67fff069b130482b89b4ecb6375b05312022-12-22T00:14:52ZengThe Ohio State University LibrariesThe International Journal of Screendance2154-68782016-05-016010.18061/ijsd.v6i0.49393507New Materials: Natural Elements and the Body in ScreendanceSylvie Michelle Vitaglione0New York UniversityThis article explores the practice of shooting on location in screendance advocating for a practice that explores the concept of material specificity in order to create grounded conceptual works. In order to metaphorically and literally ground the dancing body, this article examines the crucial dichotomy between intervention in sites and integration of sites in order to understand exactly what stance screendance takes on its settings. In other words, what do artists take from the site and what do they bring to it? I begin by examining various definitions of site-specificity. By surveying theories and practices surrounding the artistic treatments of locations, my aim is to highlight the choreographic and cinematic techniques that connect the dancing body to the environment. I argue that through the use of natural elements these films articulate a version of site-specificity deeply connected to the materiality of each location rather than to its geography or history.http://screendancejournal.org/article/view/4939dance filmlocationLand Art
spellingShingle Sylvie Michelle Vitaglione
New Materials: Natural Elements and the Body in Screendance
The International Journal of Screendance
dance film
location
Land Art
title New Materials: Natural Elements and the Body in Screendance
title_full New Materials: Natural Elements and the Body in Screendance
title_fullStr New Materials: Natural Elements and the Body in Screendance
title_full_unstemmed New Materials: Natural Elements and the Body in Screendance
title_short New Materials: Natural Elements and the Body in Screendance
title_sort new materials natural elements and the body in screendance
topic dance film
location
Land Art
url http://screendancejournal.org/article/view/4939
work_keys_str_mv AT sylviemichellevitaglione newmaterialsnaturalelementsandthebodyinscreendance