Il trauma come “valore aggiunto”. L’opera letteraria di Gustaaf Peek

Gustaaf Peek is a Dutch writer and poet who translates art into words. His works are often harsh, difficult to understand for the reader and complicated. He hunts for unknown facts in history as well as in daily life, for instance, in his first novel Armin, with the monstrosity of the Lebensborn pro...

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Bibliographic Details
Main Author: Chiara Beltrami Gottmer
Format: Article
Language:English
Published: Firenze University Press 2014-05-01
Series:Lea
Subjects:
Online Access:https://oajournals.fupress.net/index.php/bsfm-lea/article/view/7574
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author Chiara Beltrami Gottmer
author_facet Chiara Beltrami Gottmer
author_sort Chiara Beltrami Gottmer
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description Gustaaf Peek is a Dutch writer and poet who translates art into words. His works are often harsh, difficult to understand for the reader and complicated. He hunts for unknown facts in history as well as in daily life, for instance, in his first novel Armin, with the monstrosity of the Lebensborn project in Nazi Germany, or in his second novel Dover where he discusses the reality of illegal immigration and warlords living in complete freedom in western towns. It is art for art’s sake. But the novels written by Peek also contain the red thread of traumatic experiences. All of his characters suffer from one or many traumas, and act consequently. To the author this was a kind of wake-up call, a new way to consider his work and a new way to engage in the literary world. The aim of this article is to try to explain where Peek wrote about trauma and how. His topics and writing methods have also been illustrated.
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spelling doaj.art-68803f8ff7a94129a1c244130a1301492022-12-22T02:42:22ZengFirenze University PressLea1824-484X2014-05-01210.13128/LEA-1824-484x-1382112367Il trauma come “valore aggiunto”. L’opera letteraria di Gustaaf PeekChiara Beltrami GottmerGustaaf Peek is a Dutch writer and poet who translates art into words. His works are often harsh, difficult to understand for the reader and complicated. He hunts for unknown facts in history as well as in daily life, for instance, in his first novel Armin, with the monstrosity of the Lebensborn project in Nazi Germany, or in his second novel Dover where he discusses the reality of illegal immigration and warlords living in complete freedom in western towns. It is art for art’s sake. But the novels written by Peek also contain the red thread of traumatic experiences. All of his characters suffer from one or many traumas, and act consequently. To the author this was a kind of wake-up call, a new way to consider his work and a new way to engage in the literary world. The aim of this article is to try to explain where Peek wrote about trauma and how. His topics and writing methods have also been illustrated.https://oajournals.fupress.net/index.php/bsfm-lea/article/view/7574artDutch literatureillegal immigrationpostcolonial studies
spellingShingle Chiara Beltrami Gottmer
Il trauma come “valore aggiunto”. L’opera letteraria di Gustaaf Peek
Lea
art
Dutch literature
illegal immigration
postcolonial studies
title Il trauma come “valore aggiunto”. L’opera letteraria di Gustaaf Peek
title_full Il trauma come “valore aggiunto”. L’opera letteraria di Gustaaf Peek
title_fullStr Il trauma come “valore aggiunto”. L’opera letteraria di Gustaaf Peek
title_full_unstemmed Il trauma come “valore aggiunto”. L’opera letteraria di Gustaaf Peek
title_short Il trauma come “valore aggiunto”. L’opera letteraria di Gustaaf Peek
title_sort il trauma come valore aggiunto l opera letteraria di gustaaf peek
topic art
Dutch literature
illegal immigration
postcolonial studies
url https://oajournals.fupress.net/index.php/bsfm-lea/article/view/7574
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