Un’occasione perduta: lo studio anatomico e fisiologico dei musici castrati
While the Italian musician may have been an object of study for nineteenth-century medical sciences, the same cannot be said of the singer castrato: although the latter is the most characteristic and original element in the history of Italian opera, the castrato remains unknown to scientific studies...
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| Format: | Article |
| Language: | fra |
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École Normale Supérieure de Lyon Editions
2017-11-01
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| Series: | Laboratoire Italien |
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| Online Access: | http://journals.openedition.org/laboratoireitalien/1602 |
