VIA “CHERVONA RUTA” IN THE CONTEXT OF VARIETY- ENSEMBLE PERFORMANCE OF UKRAINE
The aim of the article is to clarify the artistic role of the ensemble “Chervona Ruta” in the context of Ukrainian musical culture. The relevance of the study lies in the development of principles of a new vision, trends in the development of the ensemble “Chervona Ruta” in the context of Ukr...
| Main Authors: | , |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Bukovinian State Medical university
2021-06-01
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| Series: | Актуальні питання суспільних наук та історії медицини |
| Subjects: | |
| Online Access: | https://docs.google.com/viewer?a=v&pid=sites&srcid=YnNtdS5lZHUudWF8YXBzbmltfGd4OjNkMDEwMWUyOGU5MzZjM2E |
| _version_ | 1818009155846275072 |
|---|---|
| author | Andrii FURDYCHKO Olesya ILYENKO |
| author_facet | Andrii FURDYCHKO Olesya ILYENKO |
| author_sort | Andrii FURDYCHKO |
| collection | DOAJ |
| description | The aim
of the article is to clarify the artistic role of the ensemble “Chervona
Ruta” in the context of Ukrainian musical culture. The relevance of
the study lies in the development of principles of a new vision, trends
in the development of the ensemble “Chervona Ruta” in the context of
Ukrainian pop and ensemble performance and its role in the
development of musical culture of Ukraine. The methodology of this
study is the application of comparative-historical method, which allows
us to trace the historical context of the ensemble and the context of the
development of pop and ensemble art of Ukraine. The chronological
method allows to determine the stages of formation and development
of the team on the example of the analysis of concert and performance
activities of the ensemble. Vocal and pop performance on the example
of the ensemble “Chervona Ruta” appears as a dynamic cultural and
artistic phenomenon. The song repertoire of the ensemble appears as a
translator of the identity of Ukrainian culture, which is confirmed by
the presence of folk intonations and the involvement of appropriate
instruments. The study of the processes of formation and development
of ensembles allows us to identify the traditions of Ukrainian pop
music, which is a prerequisite for the formation and development of
musical art in Ukraine. Despite the existing achievements in the study
of ensemble performance, the issues of the influence of ensemble work
on Ukrainian artistic music culture remain insufficiently studied, which
highlights the need for a comprehensive analysis of the specifics of pop
vocal and ensemble performance, especially the band “Chervona Ruta”
as a creative phenomenon of pop ensemble. The creative path of the
ensemble “Chervona Ruta” began a new stage in the formation of pop
song repertoire, which differs from the previous significant changes in
genre richness, functional features and new means of performance. The
popularization of Ukrainian pop song contributed to the development
of television, the improvement of sound recording and reproducing
equipment, the emergence of electromusical instruments. All this
contributed to the emergence of numerous amateur vocal and
instrumental ensembles – a hallmark of a new era in the development
of popular music. The advent of VIA brought new ways of artistic
expression to the stage – new timbre paints, the use of electromusical
instruments with their specifics, the use of various electronic systems,
the strange sound of voices in extreme tension. Conclusions. Ensemble
art in various genre and stylistic forms has always played a significant
role in social life and has enjoyed the widest popularity among
composers, performers and listeners in all historical epochs and in
general remains popular today. The rise and prosperity of VIA
coincided with a period of intensive scientific and technical discoveries
– radio engineering, electronics, sound recording. Participants of vocal-
instrumental ensembles can be called musicians-performers of a new
type, they are at the same time singers, musicians, actors and authors.
The new domestic VIA combined the features of big beat and enriched
them with national elements, in their programs there is a tendency to
synthesize with theater, choreography. A new youth spectator stood out
from the former regular audience of the stage, the regulatory functions
of the mass media increased. |
| first_indexed | 2024-04-14T05:39:18Z |
| format | Article |
| id | doaj.art-68cb354daa764df484ecf2708f326a20 |
| institution | Directory Open Access Journal |
| issn | 2311-9896 2411-6181 |
| language | English |
| last_indexed | 2024-04-14T05:39:18Z |
| publishDate | 2021-06-01 |
| publisher | Bukovinian State Medical university |
| record_format | Article |
| series | Актуальні питання суспільних наук та історії медицини |
| spelling | doaj.art-68cb354daa764df484ecf2708f326a202022-12-22T02:09:31ZengBukovinian State Medical universityАктуальні питання суспільних наук та історії медицини2311-98962411-61812021-06-012(30)636710.24061/2411-6181.2.2021.270VIA “CHERVONA RUTA” IN THE CONTEXT OF VARIETY- ENSEMBLE PERFORMANCE OF UKRAINEAndrii FURDYCHKO0https://orcid.org/0000-0002-2963-9794Olesya ILYENKO1https://orcid.org/0000-0002-8082-2578Kyiv National University of Culture and ArtsKyiv National University of Culture and ArtsThe aim of the article is to clarify the artistic role of the ensemble “Chervona Ruta” in the context of Ukrainian musical culture. The relevance of the study lies in the development of principles of a new vision, trends in the development of the ensemble “Chervona Ruta” in the context of Ukrainian pop and ensemble performance and its role in the development of musical culture of Ukraine. The methodology of this study is the application of comparative-historical method, which allows us to trace the historical context of the ensemble and the context of the development of pop and ensemble art of Ukraine. The chronological method allows to determine the stages of formation and development of the team on the example of the analysis of concert and performance activities of the ensemble. Vocal and pop performance on the example of the ensemble “Chervona Ruta” appears as a dynamic cultural and artistic phenomenon. The song repertoire of the ensemble appears as a translator of the identity of Ukrainian culture, which is confirmed by the presence of folk intonations and the involvement of appropriate instruments. The study of the processes of formation and development of ensembles allows us to identify the traditions of Ukrainian pop music, which is a prerequisite for the formation and development of musical art in Ukraine. Despite the existing achievements in the study of ensemble performance, the issues of the influence of ensemble work on Ukrainian artistic music culture remain insufficiently studied, which highlights the need for a comprehensive analysis of the specifics of pop vocal and ensemble performance, especially the band “Chervona Ruta” as a creative phenomenon of pop ensemble. The creative path of the ensemble “Chervona Ruta” began a new stage in the formation of pop song repertoire, which differs from the previous significant changes in genre richness, functional features and new means of performance. The popularization of Ukrainian pop song contributed to the development of television, the improvement of sound recording and reproducing equipment, the emergence of electromusical instruments. All this contributed to the emergence of numerous amateur vocal and instrumental ensembles – a hallmark of a new era in the development of popular music. The advent of VIA brought new ways of artistic expression to the stage – new timbre paints, the use of electromusical instruments with their specifics, the use of various electronic systems, the strange sound of voices in extreme tension. Conclusions. Ensemble art in various genre and stylistic forms has always played a significant role in social life and has enjoyed the widest popularity among composers, performers and listeners in all historical epochs and in general remains popular today. The rise and prosperity of VIA coincided with a period of intensive scientific and technical discoveries – radio engineering, electronics, sound recording. Participants of vocal- instrumental ensembles can be called musicians-performers of a new type, they are at the same time singers, musicians, actors and authors. The new domestic VIA combined the features of big beat and enriched them with national elements, in their programs there is a tendency to synthesize with theater, choreography. A new youth spectator stood out from the former regular audience of the stage, the regulatory functions of the mass media increased.https://docs.google.com/viewer?a=v&pid=sites&srcid=YnNtdS5lZHUudWF8YXBzbmltfGd4OjNkMDEwMWUyOGU5MzZjM2Emusical cultureartensemble performanceauthor's song |
| spellingShingle | Andrii FURDYCHKO Olesya ILYENKO VIA “CHERVONA RUTA” IN THE CONTEXT OF VARIETY- ENSEMBLE PERFORMANCE OF UKRAINE Актуальні питання суспільних наук та історії медицини musical culture art ensemble performance author's song |
| title | VIA “CHERVONA RUTA” IN THE CONTEXT OF VARIETY- ENSEMBLE PERFORMANCE OF UKRAINE |
| title_full | VIA “CHERVONA RUTA” IN THE CONTEXT OF VARIETY- ENSEMBLE PERFORMANCE OF UKRAINE |
| title_fullStr | VIA “CHERVONA RUTA” IN THE CONTEXT OF VARIETY- ENSEMBLE PERFORMANCE OF UKRAINE |
| title_full_unstemmed | VIA “CHERVONA RUTA” IN THE CONTEXT OF VARIETY- ENSEMBLE PERFORMANCE OF UKRAINE |
| title_short | VIA “CHERVONA RUTA” IN THE CONTEXT OF VARIETY- ENSEMBLE PERFORMANCE OF UKRAINE |
| title_sort | via chervona ruta in the context of variety ensemble performance of ukraine |
| topic | musical culture art ensemble performance author's song |
| url | https://docs.google.com/viewer?a=v&pid=sites&srcid=YnNtdS5lZHUudWF8YXBzbmltfGd4OjNkMDEwMWUyOGU5MzZjM2E |
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