About the Creation of a Film Noir Canon
It is easier to establish a canon than to analyze its formation process. This article attempts to explain how the film noir canon was formed using the distinction between the corpus or catalog, the whole of the films, and the canon, the masterpieces. These have constituted the models, upon which, li...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | Catalan |
| Published: |
Asociación Cultural 452ºF; Universitat de Barcelona
2010-07-01
|
| Series: | 452ºF |
| Subjects: | |
| Online Access: | http://www.452f.com/images/pdf/numero03/sulla/03_452f_mono_sulla_cat.pdf |
| _version_ | 1828213712675143680 |
|---|---|
| author | Sullà, Enric |
| author_facet | Sullà, Enric |
| author_sort | Sullà, Enric |
| collection | DOAJ |
| description | It is easier to establish a canon than to analyze its formation process. This article attempts to explain how the film noir canon was formed using the distinction between the corpus or catalog, the whole of the films, and the canon, the masterpieces. These have constituted the models, upon which, like in a constellation, the academics have attempted to gauge the distinctive features of the lot in the thematic, narrative and stylistic orders. A critical construction in the end, there is not agreement about if film noir is a genre at the theoretical level, either a series or a cycle of the American cinema, but its existence is undeniable at the empirical level. |
| first_indexed | 2024-04-12T14:54:22Z |
| format | Article |
| id | doaj.art-68d9a23f55714962878c9763f6d6d7f6 |
| institution | Directory Open Access Journal |
| issn | 2013-3294 |
| language | Catalan |
| last_indexed | 2024-04-12T14:54:22Z |
| publishDate | 2010-07-01 |
| publisher | Asociación Cultural 452ºF; Universitat de Barcelona |
| record_format | Article |
| series | 452ºF |
| spelling | doaj.art-68d9a23f55714962878c9763f6d6d7f62022-12-22T03:28:19ZcatAsociación Cultural 452ºF; Universitat de Barcelona452ºF2013-32942010-07-0131328About the Creation of a Film Noir CanonSullà, EnricIt is easier to establish a canon than to analyze its formation process. This article attempts to explain how the film noir canon was formed using the distinction between the corpus or catalog, the whole of the films, and the canon, the masterpieces. These have constituted the models, upon which, like in a constellation, the academics have attempted to gauge the distinctive features of the lot in the thematic, narrative and stylistic orders. A critical construction in the end, there is not agreement about if film noir is a genre at the theoretical level, either a series or a cycle of the American cinema, but its existence is undeniable at the empirical level.http://www.452f.com/images/pdf/numero03/sulla/03_452f_mono_sulla_cat.pdfCanonFilm noirGenreCycleDistinctive featuresRepresentative characters |
| spellingShingle | Sullà, Enric About the Creation of a Film Noir Canon 452ºF Canon Film noir Genre Cycle Distinctive features Representative characters |
| title | About the Creation of a Film Noir Canon |
| title_full | About the Creation of a Film Noir Canon |
| title_fullStr | About the Creation of a Film Noir Canon |
| title_full_unstemmed | About the Creation of a Film Noir Canon |
| title_short | About the Creation of a Film Noir Canon |
| title_sort | about the creation of a film noir canon |
| topic | Canon Film noir Genre Cycle Distinctive features Representative characters |
| url | http://www.452f.com/images/pdf/numero03/sulla/03_452f_mono_sulla_cat.pdf |
| work_keys_str_mv | AT sullaenric aboutthecreationofafilmnoircanon |