En defensa and Canícula, by Lola Blasco: revolution turned into theatre
En defensa… y Canícula are two works by playwright Lola Blasco that represent her political and committed theater. Coming from Feministand the theater of the revolution, and as a member of the Emergent Dramaturgy in Spain–movements from the late nineties–, her work aims to respond to historical and...
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| Format: | Article |
| Language: | Spanish |
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Universidad de Alicante
2017-12-01
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| Series: | Feminismo/s |
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| Online Access: | https://feminismos.ua.es/article/view/2017-n30-en-defensa-y-canicula-de-lola-blasco |
| _version_ | 1818309671287521280 |
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| author | Pilar Jódar Peinado |
| author_facet | Pilar Jódar Peinado |
| author_sort | Pilar Jódar Peinado |
| collection | DOAJ |
| description | En defensa… y Canícula are two works by playwright Lola Blasco that represent her political and committed theater. Coming from Feministand the theater of the revolution, and as a member of the Emergent Dramaturgy in Spain–movements from the late nineties–, her work aims to respond to historical and social conflicts, such as the 15M and the economic crisis, using metatheatrestrategies, metaphors or symbols; and, on the other hand, theatre of the self and the theater document. |
| first_indexed | 2024-12-13T07:33:52Z |
| format | Article |
| id | doaj.art-68e28f5376e14b9488cd2ede3f30a247 |
| institution | Directory Open Access Journal |
| issn | 1696-8166 1989-9998 |
| language | Spanish |
| last_indexed | 2024-12-13T07:33:52Z |
| publishDate | 2017-12-01 |
| publisher | Universidad de Alicante |
| record_format | Article |
| series | Feminismo/s |
| spelling | doaj.art-68e28f5376e14b9488cd2ede3f30a2472022-12-21T23:55:08ZspaUniversidad de AlicanteFeminismo/s1696-81661989-99982017-12-010301112810.14198/fem.2017.30.0610066En defensa and Canícula, by Lola Blasco: revolution turned into theatrePilar Jódar Peinado0IES (Puente de San Miguel, Cantabria), Cantabria,En defensa… y Canícula are two works by playwright Lola Blasco that represent her political and committed theater. Coming from Feministand the theater of the revolution, and as a member of the Emergent Dramaturgy in Spain–movements from the late nineties–, her work aims to respond to historical and social conflicts, such as the 15M and the economic crisis, using metatheatrestrategies, metaphors or symbols; and, on the other hand, theatre of the self and the theater document.https://feminismos.ua.es/article/view/2017-n30-en-defensa-y-canicula-de-lola-blascolola blascoteatro revolucionarioteatro feministadramaturgia emergente |
| spellingShingle | Pilar Jódar Peinado En defensa and Canícula, by Lola Blasco: revolution turned into theatre Feminismo/s lola blasco teatro revolucionario teatro feminista dramaturgia emergente |
| title | En defensa and Canícula, by Lola Blasco: revolution turned into theatre |
| title_full | En defensa and Canícula, by Lola Blasco: revolution turned into theatre |
| title_fullStr | En defensa and Canícula, by Lola Blasco: revolution turned into theatre |
| title_full_unstemmed | En defensa and Canícula, by Lola Blasco: revolution turned into theatre |
| title_short | En defensa and Canícula, by Lola Blasco: revolution turned into theatre |
| title_sort | en defensa and canicula by lola blasco revolution turned into theatre |
| topic | lola blasco teatro revolucionario teatro feminista dramaturgia emergente |
| url | https://feminismos.ua.es/article/view/2017-n30-en-defensa-y-canicula-de-lola-blasco |
| work_keys_str_mv | AT pilarjodarpeinado endefensaandcaniculabylolablascorevolutionturnedintotheatre |