Ele canta o corpo elétrico: Câmara Neuronal como performance pós-humanista e pós-digital

The purpose of this article is to offer a critical reading of the multimodal and multimedia performance Câmara Neuronal (2012), based on notions such as mediation in live performances, post-humanism, and post-digital. The exploration of these relationships, informed by paradigms of digital culture (...

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Main Author: Bettencourt, Sandra
Format: Article
Language:English
Published: Imprensa da Universidade de Coimbra 2015-10-01
Series:MatLit
Subjects:
Online Access:http://iduc.uc.pt/index.php/matlit/article/view/2108
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author Bettencourt, Sandra
author_facet Bettencourt, Sandra
author_sort Bettencourt, Sandra
collection DOAJ
description The purpose of this article is to offer a critical reading of the multimodal and multimedia performance Câmara Neuronal (2012), based on notions such as mediation in live performances, post-humanism, and post-digital. The exploration of these relationships, informed by paradigms of digital culture (database and digital archives), suggests that the concept of mediation, in the context of Câmara Neuronal, should be, first and foremost, thought of as “intermediation” (Hayles, 2008). This concept is useful to reflect on the flows and processes that operate throughout Câmara Neuronal: a performance that relies on the feedback loops between computational and human subjectivities, based in a model of distributed cognitive processes between biological and technological entities.
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spelling doaj.art-690115d3b69d4e27bcf67c7384a887852022-12-22T03:36:52ZengImprensa da Universidade de CoimbraMatLit2182-88302015-10-01315571doi:10.14195/2182-8830_3-1_4Ele canta o corpo elétrico: Câmara Neuronal como performance pós-humanista e pós-digitalBettencourt, Sandra0CLP, Universidade de Coimbra (Programa de Doutoramento em Materialidades da Literatura, Bolseira FCT); PortugalThe purpose of this article is to offer a critical reading of the multimodal and multimedia performance Câmara Neuronal (2012), based on notions such as mediation in live performances, post-humanism, and post-digital. The exploration of these relationships, informed by paradigms of digital culture (database and digital archives), suggests that the concept of mediation, in the context of Câmara Neuronal, should be, first and foremost, thought of as “intermediation” (Hayles, 2008). This concept is useful to reflect on the flows and processes that operate throughout Câmara Neuronal: a performance that relies on the feedback loops between computational and human subjectivities, based in a model of distributed cognitive processes between biological and technological entities.http://iduc.uc.pt/index.php/matlit/article/view/2108performanceintermediaçãolivenesspós-humanismopós-digitalintermediationpost-humanismpost-digital
spellingShingle Bettencourt, Sandra
Ele canta o corpo elétrico: Câmara Neuronal como performance pós-humanista e pós-digital
MatLit
performance
intermediação
liveness
pós-humanismo
pós-digital
intermediation
post-humanism
post-digital
title Ele canta o corpo elétrico: Câmara Neuronal como performance pós-humanista e pós-digital
title_full Ele canta o corpo elétrico: Câmara Neuronal como performance pós-humanista e pós-digital
title_fullStr Ele canta o corpo elétrico: Câmara Neuronal como performance pós-humanista e pós-digital
title_full_unstemmed Ele canta o corpo elétrico: Câmara Neuronal como performance pós-humanista e pós-digital
title_short Ele canta o corpo elétrico: Câmara Neuronal como performance pós-humanista e pós-digital
title_sort ele canta o corpo eletrico camara neuronal como performance pos humanista e pos digital
topic performance
intermediação
liveness
pós-humanismo
pós-digital
intermediation
post-humanism
post-digital
url http://iduc.uc.pt/index.php/matlit/article/view/2108
work_keys_str_mv AT bettencourtsandra elecantaocorpoeletricocamaraneuronalcomoperformanceposhumanistaeposdigital