Duque Cornejo in Colombia: the St Joachim of Popayán and its Copies
This paper proposes the attribution to the Sevillian sculptor Pedro Duque Cornejo (1678-1757) of a sculpture representing St Joachim, preserved in the church of Carmen in Popayán, Colombia. For this, it is reconstructed the creative context of the work, posing some hypotheses about its potential cli...
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Format: | Article |
Language: | Catalan |
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Instituto Moll
2021-12-01
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Series: | Philostrato |
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Online Access: | https://philostrato.revistahistoriayarte.es/index.php/moll/article/view/405 |
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author | Manuel García Luque |
author_facet | Manuel García Luque |
author_sort | Manuel García Luque |
collection | DOAJ |
description | This paper proposes the attribution to the Sevillian sculptor Pedro Duque Cornejo (1678-1757) of a sculpture representing St Joachim, preserved in the church of Carmen in Popayán, Colombia. For this, it is reconstructed the creative context of the work, posing some hypotheses about its potential clients and evaluating its impact on the city, where it was copied up to three times. Its case is significant for the study of the sculpture trade between Spain and America during the eighteenth century, proving that Duque Cornejo’s workshop had and American expansion, unknown to date. |
first_indexed | 2024-03-11T19:37:34Z |
format | Article |
id | doaj.art-690fdcd343ea4b4fa31c0eb84a63d3a7 |
institution | Directory Open Access Journal |
issn | 2530-9420 |
language | Catalan |
last_indexed | 2024-03-11T19:37:34Z |
publishDate | 2021-12-01 |
publisher | Instituto Moll |
record_format | Article |
series | Philostrato |
spelling | doaj.art-690fdcd343ea4b4fa31c0eb84a63d3a72023-10-06T13:06:43ZcatInstituto MollPhilostrato2530-94202021-12-01010537510.25293/philostrato.2021.09227Duque Cornejo in Colombia: the St Joachim of Popayán and its CopiesManuel García Luque0Universidad de SevillaThis paper proposes the attribution to the Sevillian sculptor Pedro Duque Cornejo (1678-1757) of a sculpture representing St Joachim, preserved in the church of Carmen in Popayán, Colombia. For this, it is reconstructed the creative context of the work, posing some hypotheses about its potential clients and evaluating its impact on the city, where it was copied up to three times. Its case is significant for the study of the sculpture trade between Spain and America during the eighteenth century, proving that Duque Cornejo’s workshop had and American expansion, unknown to date.https://philostrato.revistahistoriayarte.es/index.php/moll/article/view/405pedro duque cornejosan joaquínpopayán (colombia)sevillaescultura. |
spellingShingle | Manuel García Luque Duque Cornejo in Colombia: the St Joachim of Popayán and its Copies Philostrato pedro duque cornejo san joaquín popayán (colombia) sevilla escultura. |
title | Duque Cornejo in Colombia: the St Joachim of Popayán and its Copies |
title_full | Duque Cornejo in Colombia: the St Joachim of Popayán and its Copies |
title_fullStr | Duque Cornejo in Colombia: the St Joachim of Popayán and its Copies |
title_full_unstemmed | Duque Cornejo in Colombia: the St Joachim of Popayán and its Copies |
title_short | Duque Cornejo in Colombia: the St Joachim of Popayán and its Copies |
title_sort | duque cornejo in colombia the st joachim of popayan and its copies |
topic | pedro duque cornejo san joaquín popayán (colombia) sevilla escultura. |
url | https://philostrato.revistahistoriayarte.es/index.php/moll/article/view/405 |
work_keys_str_mv | AT manuelgarcialuque duquecornejoincolombiathestjoachimofpopayananditscopies |