Le cinéma soviétique, un domaine en partage
The specific perception of films through the prism of historical and cultural studies (with examples based on Kira Muratova’s first features).When one studies the Soviet cinema, it appears that many texts on the subject (and especially on films of the sixties and the seventies) published in the West...
Main Author: | Eugénie Zvonkine |
---|---|
Format: | Article |
Language: | English |
Published: |
Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel
2010-04-01
|
Series: | Mise au Point |
Subjects: | |
Online Access: | http://journals.openedition.org/map/1167 |
Similar Items
-
Eugénie Zvonkine: <i>Kira Mouratova. Un cinéma de la dissonance</i>
by: Irina Schulzki
Published: (2016-05-01) -
Ruski film odjuge in ženski pogled: Larisa Šepitko in Kira Muratova
by: Anja Banko
Published: (2017-05-01) -
History, Power, and Incomplete Epistolarity in Post-Soviet Cinema
by: Seth Graham
Published: (2019-11-01) -
Lida Oukaderova: <i>The Cinema of The Soviet Thaw: Space, Materiality, Movement</i>
by: Zdenko Mandušić
Published: (2019-07-01) -
Selling World Cinema by the Pound: Disclosing the Worldist Idea of Cinema
by: Andrea Gelardi
Published: (2017-12-01)