The Creative Process. A Case for Meaning-Making

Since the beginning of time art-making has been a tool to express, preserve, and challenge the extant knowledge in society. Artists do this by finding or creatively constructing new understandings in society. An artist is able to do this through the medium he/she uses to relay the message of the art...

Full description

Bibliographic Details
Main Authors: Phokeng T. Setai, Jan K. Coetzee, Christoph Maeder, Magdalena Wojciechowska, Leane Ackermann
Format: Article
Language:English
Published: Lodz University Press 2018-12-01
Series:Qualitative Sociology Review
Subjects:
Online Access:https://czasopisma.uni.lodz.pl/qualit/article/view/3981
_version_ 1811227784586985472
author Phokeng T. Setai
Jan K. Coetzee
Christoph Maeder
Magdalena Wojciechowska
Leane Ackermann
author_facet Phokeng T. Setai
Jan K. Coetzee
Christoph Maeder
Magdalena Wojciechowska
Leane Ackermann
author_sort Phokeng T. Setai
collection DOAJ
description Since the beginning of time art-making has been a tool to express, preserve, and challenge the extant knowledge in society. Artists do this by finding or creatively constructing new understandings in society. An artist is able to do this through the medium he/she uses to relay the message of the artwork. The medium that an artist uses to express his/her artistic concept has an impact on the character that the artwork will take. The medium of expression forms but one of the many considerations that go through an artist’s mind when creating art. In the process of art-making, an artist seeks to create new meanings or re-imagine old ones by organizing materials and concepts. In so doing, he/she discovers novel ways to get ideas across, and thereby creates new interpretations of social phenomena. In this article, attention is given to meaning-making as a conscious and iterative component of creating art. From a series of in-depth interviews, the authors analyze the inward processes that occur within six artists’ creative praxes and how these lead their construction of meaning. Attention is also paid to how the artists manipulate concepts and how they construct and deconstruct their understandings of these concepts in the course of their creative endeavors.
first_indexed 2024-04-12T09:47:33Z
format Article
id doaj.art-6988c57cfce24418997a83eaf33ee635
institution Directory Open Access Journal
issn 1733-8077
language English
last_indexed 2024-04-12T09:47:33Z
publishDate 2018-12-01
publisher Lodz University Press
record_format Article
series Qualitative Sociology Review
spelling doaj.art-6988c57cfce24418997a83eaf33ee6352022-12-22T03:37:54ZengLodz University PressQualitative Sociology Review1733-80772018-12-01144869910.18778/1733-8077.14.4.063981The Creative Process. A Case for Meaning-MakingPhokeng T. Setai0Jan K. CoetzeeChristoph Maeder1Magdalena Wojciechowska2Leane Ackermann3Phokeng T. Setai, Jan K. Coetzee, Leane Ackermann - University of the Free State, South AfricaUniversity of Zurich, SwitzerlandUniversity of Lodz, PolandUniversity of the Free State, South AfricaSince the beginning of time art-making has been a tool to express, preserve, and challenge the extant knowledge in society. Artists do this by finding or creatively constructing new understandings in society. An artist is able to do this through the medium he/she uses to relay the message of the artwork. The medium that an artist uses to express his/her artistic concept has an impact on the character that the artwork will take. The medium of expression forms but one of the many considerations that go through an artist’s mind when creating art. In the process of art-making, an artist seeks to create new meanings or re-imagine old ones by organizing materials and concepts. In so doing, he/she discovers novel ways to get ideas across, and thereby creates new interpretations of social phenomena. In this article, attention is given to meaning-making as a conscious and iterative component of creating art. From a series of in-depth interviews, the authors analyze the inward processes that occur within six artists’ creative praxes and how these lead their construction of meaning. Attention is also paid to how the artists manipulate concepts and how they construct and deconstruct their understandings of these concepts in the course of their creative endeavors.https://czasopisma.uni.lodz.pl/qualit/article/view/3981Art-MakingCreative ProcessIntersubjectivityLifeworldLived ExperienceMeaningMeaning- MakingSignsSymbolsTypifications
spellingShingle Phokeng T. Setai
Jan K. Coetzee
Christoph Maeder
Magdalena Wojciechowska
Leane Ackermann
The Creative Process. A Case for Meaning-Making
Qualitative Sociology Review
Art-Making
Creative Process
Intersubjectivity
Lifeworld
Lived Experience
Meaning
Meaning- Making
Signs
Symbols
Typifications
title The Creative Process. A Case for Meaning-Making
title_full The Creative Process. A Case for Meaning-Making
title_fullStr The Creative Process. A Case for Meaning-Making
title_full_unstemmed The Creative Process. A Case for Meaning-Making
title_short The Creative Process. A Case for Meaning-Making
title_sort creative process a case for meaning making
topic Art-Making
Creative Process
Intersubjectivity
Lifeworld
Lived Experience
Meaning
Meaning- Making
Signs
Symbols
Typifications
url https://czasopisma.uni.lodz.pl/qualit/article/view/3981
work_keys_str_mv AT phokengtsetai thecreativeprocessacaseformeaningmaking
AT jankcoetzee thecreativeprocessacaseformeaningmaking
AT christophmaeder thecreativeprocessacaseformeaningmaking
AT magdalenawojciechowska thecreativeprocessacaseformeaningmaking
AT leaneackermann thecreativeprocessacaseformeaningmaking
AT phokengtsetai creativeprocessacaseformeaningmaking
AT jankcoetzee creativeprocessacaseformeaningmaking
AT christophmaeder creativeprocessacaseformeaningmaking
AT magdalenawojciechowska creativeprocessacaseformeaningmaking
AT leaneackermann creativeprocessacaseformeaningmaking