Thinking Film: Cinefied Materiality in Slobodan Šijan’s Fanzine <i>Film Leaflet</i> (1976-1979)
The study focuses on Slobodan Šijan’s single-page, double-sided fanzine called Film Leaflet, created and distributed monthly from 1976 to 1979 in socialist Yugoslavia, examining it as an alternative platform for propagating new critical experimental film practice and interdisciplinary explorations o...
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| Format: | Article |
| Language: | ces |
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Natascha Drubek
2019-07-01
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| Series: | Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe |
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| Online Access: | https://www.apparatusjournal.net/index.php/apparatus/article/view/153 |
| _version_ | 1818480623695691776 |
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| author | Aleksandar Bošković |
| author_facet | Aleksandar Bošković |
| author_sort | Aleksandar Bošković |
| collection | DOAJ |
| description | The study focuses on Slobodan Šijan’s single-page, double-sided fanzine called Film Leaflet, created and distributed monthly from 1976 to 1979 in socialist Yugoslavia, examining it as an alternative platform for propagating new critical experimental film practice and interdisciplinary explorations of the medium. Conceptualized as a platform for the free use of film history, mass media, and pop culture in critical practice, Šijan’s fanzineexercised direct appropriation—re-signification, re-combination, and re-production—of contents from different media in order to articulate the new critical practice of thinking film. I argue that Šijan’s fanzine, as a ciné-dispositive for thinking film, is contingent upon the “schema, a dynamic play of relations” that articulates discourses and practices of its three basic elements with one another: spectator, representation, and medium materiality. In the study, I examine the mutual relations between these three elements in order to both illuminate and critically assess the effects Šijan’s Film Leaflet aimed to produce. Such an alternative critical practice of thinking film represents not only investigation into the material ontology of different reproductive media, but it also extends the notion of fiction by investigating where the ontological levels of media’s reproductive power and human body (our physio-psycho-sociological actions) eventually convene. |
| first_indexed | 2024-12-10T11:25:37Z |
| format | Article |
| id | doaj.art-699c30c22b974578a88cefbbc743214e |
| institution | Directory Open Access Journal |
| issn | 2365-7758 |
| language | ces |
| last_indexed | 2024-12-10T11:25:37Z |
| publishDate | 2019-07-01 |
| publisher | Natascha Drubek |
| record_format | Article |
| series | Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe |
| spelling | doaj.art-699c30c22b974578a88cefbbc743214e2022-12-22T01:50:45ZcesNatascha DrubekApparatus. Film, Media and Digital Cultures of Central and Eastern Europe2365-77582019-07-01810.17892/app.2019.0008.153121Thinking Film: Cinefied Materiality in Slobodan Šijan’s Fanzine <i>Film Leaflet</i> (1976-1979)Aleksandar Bošković0Columbia UniversityThe study focuses on Slobodan Šijan’s single-page, double-sided fanzine called Film Leaflet, created and distributed monthly from 1976 to 1979 in socialist Yugoslavia, examining it as an alternative platform for propagating new critical experimental film practice and interdisciplinary explorations of the medium. Conceptualized as a platform for the free use of film history, mass media, and pop culture in critical practice, Šijan’s fanzineexercised direct appropriation—re-signification, re-combination, and re-production—of contents from different media in order to articulate the new critical practice of thinking film. I argue that Šijan’s fanzine, as a ciné-dispositive for thinking film, is contingent upon the “schema, a dynamic play of relations” that articulates discourses and practices of its three basic elements with one another: spectator, representation, and medium materiality. In the study, I examine the mutual relations between these three elements in order to both illuminate and critically assess the effects Šijan’s Film Leaflet aimed to produce. Such an alternative critical practice of thinking film represents not only investigation into the material ontology of different reproductive media, but it also extends the notion of fiction by investigating where the ontological levels of media’s reproductive power and human body (our physio-psycho-sociological actions) eventually convene.https://www.apparatusjournal.net/index.php/apparatus/article/view/153Slobodan ŠijanTomislav Gotovacparacinemacinema by other meansfanzineciné-dispositive |
| spellingShingle | Aleksandar Bošković Thinking Film: Cinefied Materiality in Slobodan Šijan’s Fanzine <i>Film Leaflet</i> (1976-1979) Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe Slobodan Šijan Tomislav Gotovac paracinema cinema by other means fanzine ciné-dispositive |
| title | Thinking Film: Cinefied Materiality in Slobodan Šijan’s Fanzine <i>Film Leaflet</i> (1976-1979) |
| title_full | Thinking Film: Cinefied Materiality in Slobodan Šijan’s Fanzine <i>Film Leaflet</i> (1976-1979) |
| title_fullStr | Thinking Film: Cinefied Materiality in Slobodan Šijan’s Fanzine <i>Film Leaflet</i> (1976-1979) |
| title_full_unstemmed | Thinking Film: Cinefied Materiality in Slobodan Šijan’s Fanzine <i>Film Leaflet</i> (1976-1979) |
| title_short | Thinking Film: Cinefied Materiality in Slobodan Šijan’s Fanzine <i>Film Leaflet</i> (1976-1979) |
| title_sort | thinking film cinefied materiality in slobodan sijan s fanzine i film leaflet i 1976 1979 |
| topic | Slobodan Šijan Tomislav Gotovac paracinema cinema by other means fanzine ciné-dispositive |
| url | https://www.apparatusjournal.net/index.php/apparatus/article/view/153 |
| work_keys_str_mv | AT aleksandarboskovic thinkingfilmcinefiedmaterialityinslobodansijansfanzineifilmleafleti19761979 |