Our Cherished Moments of Involuntary Realism: Charles Harrison, Modernism, and Art Writing
In May 1969, Charles Harrison reviewed Morris Louis’ exhibition at the Waddington Galleries in London. Months later, he helped to install the exhibition <i>When Attitudes Become Form</i> at the Institute of Contemporary Arts. Harrison also wrote the catalogue text, published in <i>...
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| Format: | Article |
| Language: | English |
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MDPI AG
2022-01-01
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| Series: | Arts |
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| Online Access: | https://www.mdpi.com/2076-0752/11/1/23 |
| _version_ | 1797482936818204672 |
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| author | Stephen Moonie |
| author_facet | Stephen Moonie |
| author_sort | Stephen Moonie |
| collection | DOAJ |
| description | In May 1969, Charles Harrison reviewed Morris Louis’ exhibition at the Waddington Galleries in London. Months later, he helped to install the exhibition <i>When Attitudes Become Form</i> at the Institute of Contemporary Arts. Harrison also wrote the catalogue text, published in <i>Studio International</i>. Those two texts marked a significant point in Harrison’s career. They were indicative of his disillusionment with modernist criticism, and of his burgeoning interest in the work of post-minimal and conceptual art. In this respect, the two essays mark a transition from modernism to post-modernism in the space between a formalist analysis of the art object and a more dispersed field of artistic practice, where a changed relationship between art practice, criticism, and curating was taking place. However, in the 2000s, Harrison came to reflect upon this cardinal moment. Harrison referred to his recollected experiences of the late 1960s as a ‘cherished moment of involuntary realism’, opening up issues around art writing which remain pertinent to the practice of art history. |
| first_indexed | 2024-03-09T22:39:42Z |
| format | Article |
| id | doaj.art-6a0120f014e9482a964480f29e5c19fa |
| institution | Directory Open Access Journal |
| issn | 2076-0752 |
| language | English |
| last_indexed | 2024-03-09T22:39:42Z |
| publishDate | 2022-01-01 |
| publisher | MDPI AG |
| record_format | Article |
| series | Arts |
| spelling | doaj.art-6a0120f014e9482a964480f29e5c19fa2023-11-23T18:42:21ZengMDPI AGArts2076-07522022-01-011112310.3390/arts11010023Our Cherished Moments of Involuntary Realism: Charles Harrison, Modernism, and Art WritingStephen Moonie0Department of Fine Art, School of Arts and Cultures, Newcastle University, Newcastle NE1 7RU, UKIn May 1969, Charles Harrison reviewed Morris Louis’ exhibition at the Waddington Galleries in London. Months later, he helped to install the exhibition <i>When Attitudes Become Form</i> at the Institute of Contemporary Arts. Harrison also wrote the catalogue text, published in <i>Studio International</i>. Those two texts marked a significant point in Harrison’s career. They were indicative of his disillusionment with modernist criticism, and of his burgeoning interest in the work of post-minimal and conceptual art. In this respect, the two essays mark a transition from modernism to post-modernism in the space between a formalist analysis of the art object and a more dispersed field of artistic practice, where a changed relationship between art practice, criticism, and curating was taking place. However, in the 2000s, Harrison came to reflect upon this cardinal moment. Harrison referred to his recollected experiences of the late 1960s as a ‘cherished moment of involuntary realism’, opening up issues around art writing which remain pertinent to the practice of art history.https://www.mdpi.com/2076-0752/11/1/23Art & LanguageMorris Louismodernist criticismpostminimalism |
| spellingShingle | Stephen Moonie Our Cherished Moments of Involuntary Realism: Charles Harrison, Modernism, and Art Writing Arts Art & Language Morris Louis modernist criticism postminimalism |
| title | Our Cherished Moments of Involuntary Realism: Charles Harrison, Modernism, and Art Writing |
| title_full | Our Cherished Moments of Involuntary Realism: Charles Harrison, Modernism, and Art Writing |
| title_fullStr | Our Cherished Moments of Involuntary Realism: Charles Harrison, Modernism, and Art Writing |
| title_full_unstemmed | Our Cherished Moments of Involuntary Realism: Charles Harrison, Modernism, and Art Writing |
| title_short | Our Cherished Moments of Involuntary Realism: Charles Harrison, Modernism, and Art Writing |
| title_sort | our cherished moments of involuntary realism charles harrison modernism and art writing |
| topic | Art & Language Morris Louis modernist criticism postminimalism |
| url | https://www.mdpi.com/2076-0752/11/1/23 |
| work_keys_str_mv | AT stephenmoonie ourcherishedmomentsofinvoluntaryrealismcharlesharrisonmodernismandartwriting |