THE LANGUAGE OF IMPROVISATION IN THE DOINA AND THE BALLAD

In the folklore culture, improvisation can be found within works belonging to three distinct branches, which also are in syncretic relation: the literary, musical, and choreographic branches. The doina and the ballad combine, in different ways, both poetic and the musical improvisation. The genres r...

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Main Author: BADRAJAN, SVETLANA
Format: Article
Language:deu
Published: Notograf Prim 2022-03-01
Series:Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
Subjects:
Online Access:https://revista.amtap.md/wp-content/files_mf/16485436572.Badrajan_Limbajul_improvizatiei.pdf
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author BADRAJAN, SVETLANA
author_facet BADRAJAN, SVETLANA
author_sort BADRAJAN, SVETLANA
collection DOAJ
description In the folklore culture, improvisation can be found within works belonging to three distinct branches, which also are in syncretic relation: the literary, musical, and choreographic branches. The doina and the ballad combine, in different ways, both poetic and the musical improvisation. The genres represented by the doina and the ballad – lyrical and epic, determine the structural and interpretative essence of both species. The poetic content is a defining element for the ballad, because between the melody and the poetic content, the latter defines the genre of the work – the epic genre. On the contrary, in the doina, the melody is in the forefront. In terms of content, however, both species can approach the same subjects. From a musical aspect, both the doina and the ballad are focused on free improvisation, based on the combination of some established traditional musical elements. This often leads to confusion in the interpretation of the given works.
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spelling doaj.art-6a36d03955f442958e8a59c727a5b78d2022-12-21T23:55:42ZdeuNotograf PrimStudiul Artelor şi Culturologie: Istorie, Teorie, Practică2345-14082345-18312022-03-01414(41)1418THE LANGUAGE OF IMPROVISATION IN THE DOINA AND THE BALLAD BADRAJAN, SVETLANA0Academy of Music, Theater and Fine ArtsIn the folklore culture, improvisation can be found within works belonging to three distinct branches, which also are in syncretic relation: the literary, musical, and choreographic branches. The doina and the ballad combine, in different ways, both poetic and the musical improvisation. The genres represented by the doina and the ballad – lyrical and epic, determine the structural and interpretative essence of both species. The poetic content is a defining element for the ballad, because between the melody and the poetic content, the latter defines the genre of the work – the epic genre. On the contrary, in the doina, the melody is in the forefront. In terms of content, however, both species can approach the same subjects. From a musical aspect, both the doina and the ballad are focused on free improvisation, based on the combination of some established traditional musical elements. This often leads to confusion in the interpretation of the given works.https://revista.amtap.md/wp-content/files_mf/16485436572.Badrajan_Limbajul_improvizatiei.pdffolkloreimprovisationdoinaballadversesongstructureinterpretation
spellingShingle BADRAJAN, SVETLANA
THE LANGUAGE OF IMPROVISATION IN THE DOINA AND THE BALLAD
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
folklore
improvisation
doina
ballad
verse
song
structure
interpretation
title THE LANGUAGE OF IMPROVISATION IN THE DOINA AND THE BALLAD
title_full THE LANGUAGE OF IMPROVISATION IN THE DOINA AND THE BALLAD
title_fullStr THE LANGUAGE OF IMPROVISATION IN THE DOINA AND THE BALLAD
title_full_unstemmed THE LANGUAGE OF IMPROVISATION IN THE DOINA AND THE BALLAD
title_short THE LANGUAGE OF IMPROVISATION IN THE DOINA AND THE BALLAD
title_sort language of improvisation in the doina and the ballad
topic folklore
improvisation
doina
ballad
verse
song
structure
interpretation
url https://revista.amtap.md/wp-content/files_mf/16485436572.Badrajan_Limbajul_improvizatiei.pdf
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