Resonance as a Polyphonic Resource: An Analysis of <i>Erdenklavier</i> by Luciano Berio
The objective of this article is to share a reading of a piece for solo piano, Erdenklavier (1969), that is part of a cycle of miniatures called 6 Encores written by Luciano Berio, which, in a condensed form, interrelates two recurring principles of composition from Berio’s poetics: implicit polypho...
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Format: | Article |
Language: | Portuguese |
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Associação Nacional de Pesquisa e Pós-Graduação em Música
2012-12-01
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Series: | Opus |
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Online Access: | http://www.anppom.com.br/revista/index.php/opus/article/view/162 |
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author | Max Packer |
author_facet | Max Packer |
author_sort | Max Packer |
collection | DOAJ |
description | The objective of this article is to share a reading of a piece for solo piano, Erdenklavier (1969), that is part of a cycle of miniatures called 6 Encores written by Luciano Berio, which, in a condensed form, interrelates two recurring principles of composition from Berio’s poetics: implicit polyphony over a single melodic line and resonance for potential amplification and development of statements. Therefore, the first part of this article is dedicated to introducing examples where a suggestion of resonance appears in three of Berio’s works–Chemins IV (1975), Il Ritorno degli Snovidenia (1976) and Leaf (1990)–to illustrate composing strategies related to the scope of this principle. Aswemovetowardspianopart,theanalysisgainsgreaterdetailinthattheelaborationof resonance for the instrument allows one to approach compositional aspects that lie precisely within the relationship between notions of resonance and latent polyphony. |
first_indexed | 2024-12-24T05:27:44Z |
format | Article |
id | doaj.art-6a6ff396fa304a358704adf23d7dcde3 |
institution | Directory Open Access Journal |
issn | 0103-7412 1517-7017 |
language | Portuguese |
last_indexed | 2024-12-24T05:27:44Z |
publishDate | 2012-12-01 |
publisher | Associação Nacional de Pesquisa e Pós-Graduação em Música |
record_format | Article |
series | Opus |
spelling | doaj.art-6a6ff396fa304a358704adf23d7dcde32022-12-21T17:13:16ZporAssociação Nacional de Pesquisa e Pós-Graduação em MúsicaOpus0103-74121517-70172012-12-011823350138Resonance as a Polyphonic Resource: An Analysis of <i>Erdenklavier</i> by Luciano BerioMax Packer0UNICAMPThe objective of this article is to share a reading of a piece for solo piano, Erdenklavier (1969), that is part of a cycle of miniatures called 6 Encores written by Luciano Berio, which, in a condensed form, interrelates two recurring principles of composition from Berio’s poetics: implicit polyphony over a single melodic line and resonance for potential amplification and development of statements. Therefore, the first part of this article is dedicated to introducing examples where a suggestion of resonance appears in three of Berio’s works–Chemins IV (1975), Il Ritorno degli Snovidenia (1976) and Leaf (1990)–to illustrate composing strategies related to the scope of this principle. Aswemovetowardspianopart,theanalysisgainsgreaterdetailinthattheelaborationof resonance for the instrument allows one to approach compositional aspects that lie precisely within the relationship between notions of resonance and latent polyphony.http://www.anppom.com.br/revista/index.php/opus/article/view/162Luciano BerioRessonânciaPolifonia latenteMúsica do século XXAnálise musical. |
spellingShingle | Max Packer Resonance as a Polyphonic Resource: An Analysis of <i>Erdenklavier</i> by Luciano Berio Opus Luciano Berio Ressonância Polifonia latente Música do século XX Análise musical. |
title | Resonance as a Polyphonic Resource: An Analysis of <i>Erdenklavier</i> by Luciano Berio |
title_full | Resonance as a Polyphonic Resource: An Analysis of <i>Erdenklavier</i> by Luciano Berio |
title_fullStr | Resonance as a Polyphonic Resource: An Analysis of <i>Erdenklavier</i> by Luciano Berio |
title_full_unstemmed | Resonance as a Polyphonic Resource: An Analysis of <i>Erdenklavier</i> by Luciano Berio |
title_short | Resonance as a Polyphonic Resource: An Analysis of <i>Erdenklavier</i> by Luciano Berio |
title_sort | resonance as a polyphonic resource an analysis of i erdenklavier i by luciano berio |
topic | Luciano Berio Ressonância Polifonia latente Música do século XX Análise musical. |
url | http://www.anppom.com.br/revista/index.php/opus/article/view/162 |
work_keys_str_mv | AT maxpacker resonanceasapolyphonicresourceananalysisofierdenklavieribylucianoberio |