Cinema europeo e memorie autocritiche
One way for debating about the European cultures is the analysis of the market of the cultural products. Among them, one of the most interesting points of view is that of the film market. Obviously, it is not easy to develop a debate on the “European cinema”. More than an half of the European films...
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| Format: | Article |
| Language: | English |
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Rosenberg & Sellier
2011-03-01
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| Series: | Quaderni di Sociologia |
| Online Access: | https://journals.openedition.org/qds/651 |
| Summary: | One way for debating about the European cultures is the analysis of the market of the cultural products. Among them, one of the most interesting points of view is that of the film market. Obviously, it is not easy to develop a debate on the “European cinema”. More than an half of the European films is an American production. The rest of the films is produced in the national borders. However, there is an interesting number of films produced in Europe that are viewed in other countries. About their stories, the theme of the memory is one of the most frequent in the last years. It is not only the individual memory, but, above all, the collective one. It is not in the sense of an attention for the problems of the disorientation or of the loss of the memory that modernization and de-traditionalization provoke, but in the sense of an attention for the removal process. They present this question in an autocritical point of view. They present stories also about the worrying past. After a recognition of the most famous European films of the last years, the paper stresses some of these films (produced in East and West European countries) and how they promote and present the autocritical memory. |
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| ISSN: | 0033-4952 2421-5848 |