1968: In Search of “Socialism with Human Face” in Czech Art History

The five or eight years leading up to the failed “Prague Spring” represent the most important period of Czech humanities tradition during the Communist Party dictatorship. Art history did not directly participate in either of the most prominent period discourses, but it was able to develop its own...

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Main Author: Milena Bartlová
Format: Article
Language:deu
Published: Adam Mickiewicz University Press 2019-12-01
Series:Artium Quaestiones
Subjects:
Online Access:https://pressto.amu.edu.pl/index.php/aq/article/view/21889
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author Milena Bartlová
author_facet Milena Bartlová
author_sort Milena Bartlová
collection DOAJ
description The five or eight years leading up to the failed “Prague Spring” represent the most important period of Czech humanities tradition during the Communist Party dictatorship. Art history did not directly participate in either of the most prominent period discourses, but it was able to develop its own specific methodologies following the Czech continuation of the Vienna School legacy. The contribution analyzes the discourse of Marxist Iconology, developed by J. Neumann and R. Chadraba, and presents the case of F. Šmejkal and his concept of Imaginative Art, which was, interestingly, the sole case during the whole 40 years of the Communist Party rule when the highest Party officials became directly involved in Czech art historical practice. From the point of view of art historical practice, the most important feature of the brief period 1963–1969 was the new possibility of contacts with foreign art historians and of traveling abroad.
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spelling doaj.art-6b31b7a7074e4ccbbf0f194a65f765bf2024-01-23T08:00:26ZdeuAdam Mickiewicz University PressArtium Quaestiones0239-202X2719-45582019-12-013010.14746/aq.2019.30.111968: In Search of “Socialism with Human Face” in Czech Art HistoryMilena Bartlová The five or eight years leading up to the failed “Prague Spring” represent the most important period of Czech humanities tradition during the Communist Party dictatorship. Art history did not directly participate in either of the most prominent period discourses, but it was able to develop its own specific methodologies following the Czech continuation of the Vienna School legacy. The contribution analyzes the discourse of Marxist Iconology, developed by J. Neumann and R. Chadraba, and presents the case of F. Šmejkal and his concept of Imaginative Art, which was, interestingly, the sole case during the whole 40 years of the Communist Party rule when the highest Party officials became directly involved in Czech art historical practice. From the point of view of art historical practice, the most important feature of the brief period 1963–1969 was the new possibility of contacts with foreign art historians and of traveling abroad. https://pressto.amu.edu.pl/index.php/aq/article/view/21889history of art historyCzechoslovakia 1968humanist MarxismMarxist iconology
spellingShingle Milena Bartlová
1968: In Search of “Socialism with Human Face” in Czech Art History
Artium Quaestiones
history of art history
Czechoslovakia 1968
humanist Marxism
Marxist iconology
title 1968: In Search of “Socialism with Human Face” in Czech Art History
title_full 1968: In Search of “Socialism with Human Face” in Czech Art History
title_fullStr 1968: In Search of “Socialism with Human Face” in Czech Art History
title_full_unstemmed 1968: In Search of “Socialism with Human Face” in Czech Art History
title_short 1968: In Search of “Socialism with Human Face” in Czech Art History
title_sort 1968 in search of socialism with human face in czech art history
topic history of art history
Czechoslovakia 1968
humanist Marxism
Marxist iconology
url https://pressto.amu.edu.pl/index.php/aq/article/view/21889
work_keys_str_mv AT milenabartlova 1968insearchofsocialismwithhumanfaceinczecharthistory