Televisual Satire in the Age of Glocalization

This article analyses the highly popular Dutch satirical TV-show Zondag met Lubach (ZML) from the perspective of ‘glocalization.’ This places the show both within the global tradition of late-night satire, originating in the United States, and in the local Dutch tradition of satirical TV. A general...

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Main Author: Nieuwenhuis, Ivo
Format: Article
Language:English
Published: Netherlands Institute for Sound and Vision 2018-05-01
Series:VIEW Journal of European Television History and Culture
Online Access:https://www.viewjournal.eu/article/10.18146/2213-0969.2018.jethc143/
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author Nieuwenhuis, Ivo
author_facet Nieuwenhuis, Ivo
author_sort Nieuwenhuis, Ivo
collection DOAJ
description This article analyses the highly popular Dutch satirical TV-show Zondag met Lubach (ZML) from the perspective of ‘glocalization.’ This places the show both within the global tradition of late-night satire, originating in the United States, and in the local Dutch tradition of satirical TV. A general overview of these traditions is followed by a close reading of one ZML segment, which is then compared to the American show Last Week Tonight with John Oliver. This comparison reveals the dominant influence of the American tradition of performing televisual satire, thus contesting the common assumption in television studies that nationhood still plays a central role in the practice of broadcasting.
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spelling doaj.art-6b827b599e0549d2ba00f861ff1772842022-12-22T03:21:50ZengNetherlands Institute for Sound and VisionVIEW Journal of European Television History and Culture2213-09692018-05-017136910.18146/2213-0969.2018.jethc143Televisual Satire in the Age of GlocalizationNieuwenhuis, IvoThis article analyses the highly popular Dutch satirical TV-show Zondag met Lubach (ZML) from the perspective of ‘glocalization.’ This places the show both within the global tradition of late-night satire, originating in the United States, and in the local Dutch tradition of satirical TV. A general overview of these traditions is followed by a close reading of one ZML segment, which is then compared to the American show Last Week Tonight with John Oliver. This comparison reveals the dominant influence of the American tradition of performing televisual satire, thus contesting the common assumption in television studies that nationhood still plays a central role in the practice of broadcasting.https://www.viewjournal.eu/article/10.18146/2213-0969.2018.jethc143/
spellingShingle Nieuwenhuis, Ivo
Televisual Satire in the Age of Glocalization
VIEW Journal of European Television History and Culture
title Televisual Satire in the Age of Glocalization
title_full Televisual Satire in the Age of Glocalization
title_fullStr Televisual Satire in the Age of Glocalization
title_full_unstemmed Televisual Satire in the Age of Glocalization
title_short Televisual Satire in the Age of Glocalization
title_sort televisual satire in the age of glocalization
url https://www.viewjournal.eu/article/10.18146/2213-0969.2018.jethc143/
work_keys_str_mv AT nieuwenhuisivo televisualsatireintheageofglocalization