Attorno a una lettera di Claude Monet a Giuseppe De Nittis
The proximity between Giuseppe De Nittis and some French Impressionism’s interpreters has always been one of the most debated and controversial aspects of the Apulian painter’s experience. Specifically, the connection between him and Claude Monet, even if certified, is still not enough discussed...
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Format: | Article |
Language: | English |
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Fondazione Università Ca’ Foscari
2018-07-01
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Series: | MDCCC 1800 |
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Online Access: | http://doi.org/10.30687/MDCCC/2280-8841/2018/01/003 |
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author | Minervini, Fausto |
author_facet | Minervini, Fausto |
author_sort | Minervini, Fausto |
collection | DOAJ |
description |
The proximity between Giuseppe De Nittis and some French Impressionism’s interpreters has always been one of the most debated and controversial aspects of the Apulian painter’s experience. Specifically, the connection between him and Claude Monet, even if certified, is still not enough discussed and investigated. A letter sent by the French master to his Italian colleague, kept in Getty Research Institute in Los Angeles, offers new points of view and reflection on affinities, more or less tangible, of their languages and their methods of nature study and translation.
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first_indexed | 2024-03-11T14:58:52Z |
format | Article |
id | doaj.art-6bc09acfdacb41c090bbed1bd5ac6fda |
institution | Directory Open Access Journal |
issn | 2280-8841 |
language | English |
last_indexed | 2024-03-11T14:58:52Z |
publishDate | 2018-07-01 |
publisher | Fondazione Università Ca’ Foscari |
record_format | Article |
series | MDCCC 1800 |
spelling | doaj.art-6bc09acfdacb41c090bbed1bd5ac6fda2023-10-30T08:14:45ZengFondazione Università Ca’ FoscariMDCCC 18002280-88412018-07-017110.30687/MDCCC/2280-8841/2018/01/003journal_article_1442Attorno a una lettera di Claude Monet a Giuseppe De NittisMinervini, Fausto0Université de Paris-Sorbonne (Paris IV)/Università di Napoli Federico II The proximity between Giuseppe De Nittis and some French Impressionism’s interpreters has always been one of the most debated and controversial aspects of the Apulian painter’s experience. Specifically, the connection between him and Claude Monet, even if certified, is still not enough discussed and investigated. A letter sent by the French master to his Italian colleague, kept in Getty Research Institute in Los Angeles, offers new points of view and reflection on affinities, more or less tangible, of their languages and their methods of nature study and translation. http://doi.org/10.30687/MDCCC/2280-8841/2018/01/00319th Century French paintings. 19th Century Italian paintings. Claude Monet. Experimental series. Getty Research Institute. Giuseppe De Nittis. Impressionism. Market. Salon |
spellingShingle | Minervini, Fausto Attorno a una lettera di Claude Monet a Giuseppe De Nittis MDCCC 1800 19th Century French paintings. 19th Century Italian paintings. Claude Monet. Experimental series. Getty Research Institute. Giuseppe De Nittis. Impressionism. Market. Salon |
title | Attorno a una lettera di Claude Monet a Giuseppe De Nittis |
title_full | Attorno a una lettera di Claude Monet a Giuseppe De Nittis |
title_fullStr | Attorno a una lettera di Claude Monet a Giuseppe De Nittis |
title_full_unstemmed | Attorno a una lettera di Claude Monet a Giuseppe De Nittis |
title_short | Attorno a una lettera di Claude Monet a Giuseppe De Nittis |
title_sort | attorno a una lettera di claude monet a giuseppe de nittis |
topic | 19th Century French paintings. 19th Century Italian paintings. Claude Monet. Experimental series. Getty Research Institute. Giuseppe De Nittis. Impressionism. Market. Salon |
url | http://doi.org/10.30687/MDCCC/2280-8841/2018/01/003 |
work_keys_str_mv | AT minervinifausto attornoaunaletteradiclaudemonetagiuseppedenittis |