Performance, interatividade e localidade em “Santos Football Music” de Gilberto Mendes

This work presents an analysis of Gilberto Mendes’ “Santos Football Music” performed by the Orquestra Sinfônica de Santos in 2005 and recorded on video as part of the documentary “A Odisseia Musical de Gilberto Mendes” (2006). This work is characterized as a practice of music-theater, in which sceni...

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Main Authors: Fernando de Oliveira Magre, Luciana Fernandes Rosa
Format: Article
Language:English
Published: Universidade Estadual do Paraná 2021-05-01
Series:Revista Vortex
Subjects:
Online Access:http://periodicos.unespar.edu.br/index.php/vortex/article/view/4174
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author Fernando de Oliveira Magre
Luciana Fernandes Rosa
author_facet Fernando de Oliveira Magre
Luciana Fernandes Rosa
author_sort Fernando de Oliveira Magre
collection DOAJ
description This work presents an analysis of Gilberto Mendes’ “Santos Football Music” performed by the Orquestra Sinfônica de Santos in 2005 and recorded on video as part of the documentary “A Odisseia Musical de Gilberto Mendes” (2006). This work is characterized as a practice of music-theater, in which scenic and visual elements are combined with sound elements. The participation of the audience in the performance is also a fundamental component of the work. Deviating from an analytical perspective focused on the object-score, in this article we seek to approach the musical work from the point of view of its performance. To do so, we rely on Thomas Turino's (2008) distinctions in ways of music making and Arjun Appadurai's (1996) locality perspective.
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spelling doaj.art-6bd6a10dbdd7403c9bb509b7adf49ccc2022-12-22T02:41:22ZengUniversidade Estadual do ParanáRevista Vortex2317-99372021-05-0191118https://doi.org/10.33871/23179937.2021.9.1.6Performance, interatividade e localidade em “Santos Football Music” de Gilberto MendesFernando de Oliveira Magre0https://orcid.org/0000-0003-1608-1389Luciana Fernandes Rosa1https://orcid.org/0000-0001-9889-2809Universidade Estadual de CampinasUniversidade de São PauloThis work presents an analysis of Gilberto Mendes’ “Santos Football Music” performed by the Orquestra Sinfônica de Santos in 2005 and recorded on video as part of the documentary “A Odisseia Musical de Gilberto Mendes” (2006). This work is characterized as a practice of music-theater, in which scenic and visual elements are combined with sound elements. The participation of the audience in the performance is also a fundamental component of the work. Deviating from an analytical perspective focused on the object-score, in this article we seek to approach the musical work from the point of view of its performance. To do so, we rely on Thomas Turino's (2008) distinctions in ways of music making and Arjun Appadurai's (1996) locality perspective.http://periodicos.unespar.edu.br/index.php/vortex/article/view/4174gilberto mendesmusic theaterproduction of localitymusical fieldsparticipation.
spellingShingle Fernando de Oliveira Magre
Luciana Fernandes Rosa
Performance, interatividade e localidade em “Santos Football Music” de Gilberto Mendes
Revista Vortex
gilberto mendes
music theater
production of locality
musical fields
participation.
title Performance, interatividade e localidade em “Santos Football Music” de Gilberto Mendes
title_full Performance, interatividade e localidade em “Santos Football Music” de Gilberto Mendes
title_fullStr Performance, interatividade e localidade em “Santos Football Music” de Gilberto Mendes
title_full_unstemmed Performance, interatividade e localidade em “Santos Football Music” de Gilberto Mendes
title_short Performance, interatividade e localidade em “Santos Football Music” de Gilberto Mendes
title_sort performance interatividade e localidade em santos football music de gilberto mendes
topic gilberto mendes
music theater
production of locality
musical fields
participation.
url http://periodicos.unespar.edu.br/index.php/vortex/article/view/4174
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