Jamie Beck’s “Cinemagraphs” in the context of dramatic theory of literature

<span>The purpose of this article is to present works of a New York photographer Jamie Beck, who developed a new type of moving photography – cinemagraphs, and look at her work from the perspective of the dramatic theory of literature. Jamie Beck in her works redefines many notions related to...

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Main Author: Ewelina Woźniak
Format: Article
Language:Polish
Published: Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza w Poznaniu 2012-01-01
Series:Przestrzenie Teorii
Subjects:
Online Access:http://pressto.amu.edu.pl/index.php/pt/article/view/3368
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author Ewelina Woźniak
author_facet Ewelina Woźniak
author_sort Ewelina Woźniak
collection DOAJ
description <span>The purpose of this article is to present works of a New York photographer Jamie Beck, who developed a new type of moving photography – cinemagraphs, and look at her work from the perspective of the dramatic theory of literature. Jamie Beck in her works redefines many notions related to the visual realm. Movement and time relationship, the model identity and the impact of material on the image perception are the most interesting problems, that are connected with cinemagraphs. All these issues are analyzed in relation to fields dealing with image: André Rouille’s and Roland Barthes’ photographic theories, art history represented by Georges Didi- Huberman and Rudolf Arnheim’s “the psychology of creative eye”.</span>
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publishDate 2012-01-01
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spelling doaj.art-6c0698ee01f24aceafe811013f79f34e2022-12-22T01:01:51ZpolWydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza w PoznaniuPrzestrzenie Teorii1644-67632450-57652012-01-01178910310.14746/pt.2012.17.63339Jamie Beck’s “Cinemagraphs” in the context of dramatic theory of literatureEwelina Woźniak<span>The purpose of this article is to present works of a New York photographer Jamie Beck, who developed a new type of moving photography – cinemagraphs, and look at her work from the perspective of the dramatic theory of literature. Jamie Beck in her works redefines many notions related to the visual realm. Movement and time relationship, the model identity and the impact of material on the image perception are the most interesting problems, that are connected with cinemagraphs. All these issues are analyzed in relation to fields dealing with image: André Rouille’s and Roland Barthes’ photographic theories, art history represented by Georges Didi- Huberman and Rudolf Arnheim’s “the psychology of creative eye”.</span>http://pressto.amu.edu.pl/index.php/pt/article/view/3368ruchome fotografiedramatyczna teoriacinemagraphs
spellingShingle Ewelina Woźniak
Jamie Beck’s “Cinemagraphs” in the context of dramatic theory of literature
Przestrzenie Teorii
ruchome fotografie
dramatyczna teoria
cinemagraphs
title Jamie Beck’s “Cinemagraphs” in the context of dramatic theory of literature
title_full Jamie Beck’s “Cinemagraphs” in the context of dramatic theory of literature
title_fullStr Jamie Beck’s “Cinemagraphs” in the context of dramatic theory of literature
title_full_unstemmed Jamie Beck’s “Cinemagraphs” in the context of dramatic theory of literature
title_short Jamie Beck’s “Cinemagraphs” in the context of dramatic theory of literature
title_sort jamie beck s cinemagraphs in the context of dramatic theory of literature
topic ruchome fotografie
dramatyczna teoria
cinemagraphs
url http://pressto.amu.edu.pl/index.php/pt/article/view/3368
work_keys_str_mv AT ewelinawozniak jamiebeckscinemagraphsinthecontextofdramatictheoryofliterature