Jamie Beck’s “Cinemagraphs” in the context of dramatic theory of literature
<span>The purpose of this article is to present works of a New York photographer Jamie Beck, who developed a new type of moving photography – cinemagraphs, and look at her work from the perspective of the dramatic theory of literature. Jamie Beck in her works redefines many notions related to...
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Format: | Article |
Language: | Polish |
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Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza w Poznaniu
2012-01-01
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Series: | Przestrzenie Teorii |
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Online Access: | http://pressto.amu.edu.pl/index.php/pt/article/view/3368 |
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author | Ewelina Woźniak |
author_facet | Ewelina Woźniak |
author_sort | Ewelina Woźniak |
collection | DOAJ |
description | <span>The purpose of this article is to present works of a New York photographer Jamie Beck, who developed a new type of moving photography – cinemagraphs, and look at her work from the perspective of the dramatic theory of literature. Jamie Beck in her works redefines many notions related to the visual realm. Movement and time relationship, the model identity and the impact of material on the image perception are the most interesting problems, that are connected with cinemagraphs. All these issues are analyzed in relation to fields dealing with image: André Rouille’s and Roland Barthes’ photographic theories, art history represented by Georges Didi- Huberman and Rudolf Arnheim’s “the psychology of creative eye”.</span> |
first_indexed | 2024-12-11T14:42:13Z |
format | Article |
id | doaj.art-6c0698ee01f24aceafe811013f79f34e |
institution | Directory Open Access Journal |
issn | 1644-6763 2450-5765 |
language | Polish |
last_indexed | 2024-12-11T14:42:13Z |
publishDate | 2012-01-01 |
publisher | Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza w Poznaniu |
record_format | Article |
series | Przestrzenie Teorii |
spelling | doaj.art-6c0698ee01f24aceafe811013f79f34e2022-12-22T01:01:51ZpolWydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza w PoznaniuPrzestrzenie Teorii1644-67632450-57652012-01-01178910310.14746/pt.2012.17.63339Jamie Beck’s “Cinemagraphs” in the context of dramatic theory of literatureEwelina Woźniak<span>The purpose of this article is to present works of a New York photographer Jamie Beck, who developed a new type of moving photography – cinemagraphs, and look at her work from the perspective of the dramatic theory of literature. Jamie Beck in her works redefines many notions related to the visual realm. Movement and time relationship, the model identity and the impact of material on the image perception are the most interesting problems, that are connected with cinemagraphs. All these issues are analyzed in relation to fields dealing with image: André Rouille’s and Roland Barthes’ photographic theories, art history represented by Georges Didi- Huberman and Rudolf Arnheim’s “the psychology of creative eye”.</span>http://pressto.amu.edu.pl/index.php/pt/article/view/3368ruchome fotografiedramatyczna teoriacinemagraphs |
spellingShingle | Ewelina Woźniak Jamie Beck’s “Cinemagraphs” in the context of dramatic theory of literature Przestrzenie Teorii ruchome fotografie dramatyczna teoria cinemagraphs |
title | Jamie Beck’s “Cinemagraphs” in the context of dramatic theory of literature |
title_full | Jamie Beck’s “Cinemagraphs” in the context of dramatic theory of literature |
title_fullStr | Jamie Beck’s “Cinemagraphs” in the context of dramatic theory of literature |
title_full_unstemmed | Jamie Beck’s “Cinemagraphs” in the context of dramatic theory of literature |
title_short | Jamie Beck’s “Cinemagraphs” in the context of dramatic theory of literature |
title_sort | jamie beck s cinemagraphs in the context of dramatic theory of literature |
topic | ruchome fotografie dramatyczna teoria cinemagraphs |
url | http://pressto.amu.edu.pl/index.php/pt/article/view/3368 |
work_keys_str_mv | AT ewelinawozniak jamiebeckscinemagraphsinthecontextofdramatictheoryofliterature |