LASMI’S STYLE OF SINDHENAN GENDHING TAYUB
Grobogan Regency is one of the areas where Tayub art is still present. One of the distinctive and unique pesindhèn who produces gendhing recordings is Lasmi. This research focuses on artist Lasmi's creativity in working on her sindhènan (song), typically distinguished by parikan, wiledan, and c...
| Main Authors: | , |
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| Format: | Article |
| Language: | English |
| Published: |
ISI Press
2022-09-01
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| Series: | Artistic |
| Subjects: | |
| Online Access: | https://jurnal.isi-ska.ac.id/index.php/artistic/article/view/4415 |
| _version_ | 1797799291940503552 |
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| author | Amalya Wijayanti Danis Sugiyanto |
| author_facet | Amalya Wijayanti Danis Sugiyanto |
| author_sort | Amalya Wijayanti |
| collection | DOAJ |
| description | Grobogan Regency is one of the areas where Tayub art is still present. One of the distinctive and unique pesindhèn who produces gendhing recordings is Lasmi. This research focuses on artist Lasmi's creativity in working on her sindhènan (song), typically distinguished by parikan, wiledan, and céngkok. This study uses a qualitative approach by collecting data through observation and in-depth interviews and analyzing data with interactive analysis. The results of this study indicate that working on parikan, which has a comical character, is a rather distinct characteristic of Lasmi's style of working on sindhènan. Lasmi's vocal style in presenting unique céngkok-céngkok can be seen in the gendhing-gendhing Tayub. Sindhènan Lasmi differs from other sindhènan lèdhèk Tayub because it is more luwes (flexible) and prênès. |
| first_indexed | 2024-03-13T04:16:41Z |
| format | Article |
| id | doaj.art-6c16ab7c2ef24403bbd125418edce38f |
| institution | Directory Open Access Journal |
| issn | 2721-9445 2721-9321 |
| language | English |
| last_indexed | 2024-03-13T04:16:41Z |
| publishDate | 2022-09-01 |
| publisher | ISI Press |
| record_format | Article |
| series | Artistic |
| spelling | doaj.art-6c16ab7c2ef24403bbd125418edce38f2023-06-21T01:41:26ZengISI PressArtistic2721-94452721-93212022-09-013112410.33153/artistic.v3i1.44153058LASMI’S STYLE OF SINDHENAN GENDHING TAYUBAmalya Wijayanti0Danis Sugiyanto1Institut Seni Indonesia SurakartaInstitut Seni Indonesia SurakartaGrobogan Regency is one of the areas where Tayub art is still present. One of the distinctive and unique pesindhèn who produces gendhing recordings is Lasmi. This research focuses on artist Lasmi's creativity in working on her sindhènan (song), typically distinguished by parikan, wiledan, and céngkok. This study uses a qualitative approach by collecting data through observation and in-depth interviews and analyzing data with interactive analysis. The results of this study indicate that working on parikan, which has a comical character, is a rather distinct characteristic of Lasmi's style of working on sindhènan. Lasmi's vocal style in presenting unique céngkok-céngkok can be seen in the gendhing-gendhing Tayub. Sindhènan Lasmi differs from other sindhènan lèdhèk Tayub because it is more luwes (flexible) and prênès.https://jurnal.isi-ska.ac.id/index.php/artistic/article/view/4415sindhènangarapcreativity. |
| spellingShingle | Amalya Wijayanti Danis Sugiyanto LASMI’S STYLE OF SINDHENAN GENDHING TAYUB Artistic sindhènan garap creativity. |
| title | LASMI’S STYLE OF SINDHENAN GENDHING TAYUB |
| title_full | LASMI’S STYLE OF SINDHENAN GENDHING TAYUB |
| title_fullStr | LASMI’S STYLE OF SINDHENAN GENDHING TAYUB |
| title_full_unstemmed | LASMI’S STYLE OF SINDHENAN GENDHING TAYUB |
| title_short | LASMI’S STYLE OF SINDHENAN GENDHING TAYUB |
| title_sort | lasmi s style of sindhenan gendhing tayub |
| topic | sindhènan garap creativity. |
| url | https://jurnal.isi-ska.ac.id/index.php/artistic/article/view/4415 |
| work_keys_str_mv | AT amalyawijayanti lasmisstyleofsindhenangendhingtayub AT danissugiyanto lasmisstyleofsindhenangendhingtayub |