LASMI’S STYLE OF SINDHENAN GENDHING TAYUB
Grobogan Regency is one of the areas where Tayub art is still present. One of the distinctive and unique pesindhèn who produces gendhing recordings is Lasmi. This research focuses on artist Lasmi's creativity in working on her sindhènan (song), typically distinguished by parikan, wiledan, and c...
Main Authors: | Amalya Wijayanti, Danis Sugiyanto |
---|---|
Format: | Article |
Language: | English |
Published: |
ISI Press
2022-09-01
|
Series: | Artistic |
Subjects: | |
Online Access: | https://jurnal.isi-ska.ac.id/index.php/artistic/article/view/4415 |
Similar Items
-
Feminism in song of jineman kenya ndesa laras slendro pathet sanga
by: Sukesi Rahayu, et al.
Published: (2021-12-01) -
Ragam Kendangan Jogedan dalam Wayang Wong Golek Menak Gaya Yogyakarta Lakon Bedhahing Ambarkustub: Garap dalam Iringan Tari
by: anon suneko
Published: (2018-04-01) -
The Use of Laras in Contemporary Gamelan Music
by: Iwan Gunawan, et al.
Published: (2022-07-01) -
The Popularity of Waranggana Tayub Malang through Body Exploitation
by: Robby Hidajat
Published: (2014-12-01) -
Gendhing, King, and Events: The Creation of Gendhing Panembrama During Pakubuwana X
by: Joko Daryanto, et al.
Published: (2021-06-01)