‘The rigorous and the vague: aesthetics and art history in Riegl, Wölfflin and Worringer’
The paper approaches the art theory of Aloïs Riegl, Heinrich Wölfflin and Wilhelm Worringer from two perspectives. Firstly, the paper integrates the conception of the image of these three art historians into the phenomenological tradition as founded by Edmund Husserl where the image is described as...
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| Format: | Article |
| Language: | English |
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Department of Art History, University of Birmingham
2013-12-01
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| Series: | Journal of Art Historiography |
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| Online Access: | http://arthistoriography.files.wordpress.com/2013/12/ionescu.pdf |