Whistler and Battersea: The Aesthetics of Erasure and Redevelopment
This article looks at the significance of South London for Whistler, particularly the line of Battersea factories that he viewed and depicted repeatedly from his home on Cheyne Walk, where he lived from the 1860s. It uses Variations in Flesh Colour and Green, The Balcony (1864–1873) as a way of cons...
Main Author: | Jon Newman |
---|---|
Format: | Article |
Language: | English |
Published: |
Yale University
2022-04-01
|
Series: | British Art Studies |
Subjects: | |
Online Access: | https://www.britishartstudies.ac.uk/issues/issue-index/issue-22/whistler-and-battersea |
Similar Items
-
Introduction: “Watery Relations”
by: Shalini Le Gall, et al.
Published: (2022-04-01) -
Women in Whistler’s Images of Chelsea and the Thames
by: Patricia de Montfort
Published: (2022-04-01) -
Embracing and Rejecting the Ruskinian Heritage in Wilde’s Aesthetic Theories
by: Carole Delhorme
Published: (2020-06-01) -
Sargent, Whistler & Venetian Glass: American Artists and the Magic of Murano
by: Emily C. Burns
Published: (2022-11-01) -
“A Harmony in Eggs and Milk”: Gustatory Synesthesia in the Reception of Whistler’s Art
by: Aileen Tsui
Published: (2017-11-01)