Rigidez métrica e expressividade na interpretação musical: uma teoria neuropsicológica
Rubato has always been related to musical performance expressivity. In the last 150 years, however, Western art music teaching has emphasized strict metric regularity in the performance of pieces composed before the Romantic era. Such practice however is not consensual. The present study is an inter...
Main Authors: | , |
---|---|
Format: | Article |
Language: | Portuguese |
Published: |
Associação Nacional de Pesquisa e Pós-Graduação em Música
2007-12-01
|
Series: | Opus |
Subjects: | |
Online Access: | http://www.anppom.com.br/revista/index.php/opus/article/view/310 |
_version_ | 1818847922336301056 |
---|---|
author | Marcia Kazue Kodama Higuchi João Pereira Leite |
author_facet | Marcia Kazue Kodama Higuchi João Pereira Leite |
author_sort | Marcia Kazue Kodama Higuchi |
collection | DOAJ |
description | Rubato has always been related to musical performance expressivity. In the last 150 years, however, Western art music teaching has emphasized strict metric regularity in the performance of pieces composed before the Romantic era. Such practice however is not consensual. The present study is an interdisciplinary, descriptive analysis, based on musicological, psychological, and neuroscientific data that aims to explain the reasons of the polemic related to the function of maintaining strict metric regularity in musical performance. We have found in cognitive psychological data, information that supports the relationship between rubato and musical expressiveness. There is also evidence that the maintenance of strict metric regularity could inhibit expressiveness. This inhibition seems to be related to the level of difficulty that one experiences when asked to keep a strict tempo. Despite the inhibiting component, observations in musical teaching indicate that the practice of strict metric regularity is an indispensable instrument to a more elaborated expressive musical interpretation. Therefore this present study analyzes the importance of this practice in the development of musical expressiveness. |
first_indexed | 2024-12-19T06:09:08Z |
format | Article |
id | doaj.art-6c91c91f64854673a38d130640bc69f0 |
institution | Directory Open Access Journal |
issn | 0103-7412 1517-7017 |
language | Portuguese |
last_indexed | 2024-12-19T06:09:08Z |
publishDate | 2007-12-01 |
publisher | Associação Nacional de Pesquisa e Pós-Graduação em Música |
record_format | Article |
series | Opus |
spelling | doaj.art-6c91c91f64854673a38d130640bc69f02022-12-21T20:33:03ZporAssociação Nacional de Pesquisa e Pós-Graduação em MúsicaOpus0103-74121517-70172007-12-01132197207287Rigidez métrica e expressividade na interpretação musical: uma teoria neuropsicológicaMarcia Kazue Kodama Higuchi0João Pereira Leite1(FIAM-FAAM)(USP)Rubato has always been related to musical performance expressivity. In the last 150 years, however, Western art music teaching has emphasized strict metric regularity in the performance of pieces composed before the Romantic era. Such practice however is not consensual. The present study is an interdisciplinary, descriptive analysis, based on musicological, psychological, and neuroscientific data that aims to explain the reasons of the polemic related to the function of maintaining strict metric regularity in musical performance. We have found in cognitive psychological data, information that supports the relationship between rubato and musical expressiveness. There is also evidence that the maintenance of strict metric regularity could inhibit expressiveness. This inhibition seems to be related to the level of difficulty that one experiences when asked to keep a strict tempo. Despite the inhibiting component, observations in musical teaching indicate that the practice of strict metric regularity is an indispensable instrument to a more elaborated expressive musical interpretation. Therefore this present study analyzes the importance of this practice in the development of musical expressiveness.http://www.anppom.com.br/revista/index.php/opus/article/view/310neuropsicologiaexpressividaderigor métrico. |
spellingShingle | Marcia Kazue Kodama Higuchi João Pereira Leite Rigidez métrica e expressividade na interpretação musical: uma teoria neuropsicológica Opus neuropsicologia expressividade rigor métrico. |
title | Rigidez métrica e expressividade na interpretação musical: uma teoria neuropsicológica |
title_full | Rigidez métrica e expressividade na interpretação musical: uma teoria neuropsicológica |
title_fullStr | Rigidez métrica e expressividade na interpretação musical: uma teoria neuropsicológica |
title_full_unstemmed | Rigidez métrica e expressividade na interpretação musical: uma teoria neuropsicológica |
title_short | Rigidez métrica e expressividade na interpretação musical: uma teoria neuropsicológica |
title_sort | rigidez metrica e expressividade na interpretacao musical uma teoria neuropsicologica |
topic | neuropsicologia expressividade rigor métrico. |
url | http://www.anppom.com.br/revista/index.php/opus/article/view/310 |
work_keys_str_mv | AT marciakazuekodamahiguchi rigidezmetricaeexpressividadenainterpretacaomusicalumateorianeuropsicologica AT joaopereiraleite rigidezmetricaeexpressividadenainterpretacaomusicalumateorianeuropsicologica |