Unsuspected faces: Borges, Brines, Valente
My proposal focuses on linking some fifties spanish poets´creative projects (Brines and Valente, specifically) with Jorge Luis Borges. The bow is visibly established from the use, in all three cases, of a common enunciation key, the "dramatic monologue", whose formal enthronement begins wi...
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| Format: | Article |
| Language: | Spanish |
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Universitat Autònoma de Barcelona
2014-08-01
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| Series: | Mitologías Hoy |
| Subjects: | |
| Online Access: | https://revistes.uab.cat/mitologias/article/view/209 |
| _version_ | 1798027870257283072 |
|---|---|
| author | Marcela Romano |
| author_facet | Marcela Romano |
| author_sort | Marcela Romano |
| collection | DOAJ |
| description | My proposal focuses on linking some fifties spanish poets´creative projects (Brines and Valente, specifically) with Jorge Luis Borges. The bow is visibly established from the use, in all three cases, of a common enunciation key, the "dramatic monologue", whose formal enthronement begins with Browning and Tennyson in the last quarter of the nineteenth century. The convergence —in which the later Cernuda decisively takes part— lets guess, beyond the “influences”, common poetic programs, all alerted about the pathetic fallacy of certain Romanticism, and the commitment by a refined and meditative poetry. |
| first_indexed | 2024-04-11T18:58:31Z |
| format | Article |
| id | doaj.art-6cd44702953e4237af2917a17fc79bae |
| institution | Directory Open Access Journal |
| issn | 2014-1130 |
| language | Spanish |
| last_indexed | 2024-04-11T18:58:31Z |
| publishDate | 2014-08-01 |
| publisher | Universitat Autònoma de Barcelona |
| record_format | Article |
| series | Mitologías Hoy |
| spelling | doaj.art-6cd44702953e4237af2917a17fc79bae2022-12-22T04:08:07ZspaUniversitat Autònoma de BarcelonaMitologías Hoy2014-11302014-08-01910.5565/rev/mitologias.209181Unsuspected faces: Borges, Brines, ValenteMarcela RomanoMy proposal focuses on linking some fifties spanish poets´creative projects (Brines and Valente, specifically) with Jorge Luis Borges. The bow is visibly established from the use, in all three cases, of a common enunciation key, the "dramatic monologue", whose formal enthronement begins with Browning and Tennyson in the last quarter of the nineteenth century. The convergence —in which the later Cernuda decisively takes part— lets guess, beyond the “influences”, common poetic programs, all alerted about the pathetic fallacy of certain Romanticism, and the commitment by a refined and meditative poetry.https://revistes.uab.cat/mitologias/article/view/209BrinesValenteBorgesdramatic monologue |
| spellingShingle | Marcela Romano Unsuspected faces: Borges, Brines, Valente Mitologías Hoy Brines Valente Borges dramatic monologue |
| title | Unsuspected faces: Borges, Brines, Valente |
| title_full | Unsuspected faces: Borges, Brines, Valente |
| title_fullStr | Unsuspected faces: Borges, Brines, Valente |
| title_full_unstemmed | Unsuspected faces: Borges, Brines, Valente |
| title_short | Unsuspected faces: Borges, Brines, Valente |
| title_sort | unsuspected faces borges brines valente |
| topic | Brines Valente Borges dramatic monologue |
| url | https://revistes.uab.cat/mitologias/article/view/209 |
| work_keys_str_mv | AT marcelaromano unsuspectedfacesborgesbrinesvalente |