Philosophy on Stage: Theatricality, Ritual and Logic in Ancient India

The article analyses the public debates in ancient India, distinguishing the different modalities of these practices as they appear in the compendiums of logic (Nyāyasūtra) and in the medical Sanskrit literature (Carakasamhitā). A special attention is paid to one of these kinds of debate, called vit...

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Main Author: Juan Arnau
Format: Article
Language:English
Published: Universidad Nacional Autónoma de México 2013-05-01
Series:Acta Poética
Subjects:
Online Access:https://revistas-filologicas.unam.mx/acta-poetica/index.php/ap/article/view/398
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author Juan Arnau
author_facet Juan Arnau
author_sort Juan Arnau
collection DOAJ
description The article analyses the public debates in ancient India, distinguishing the different modalities of these practices as they appear in the compendiums of logic (Nyāyasūtra) and in the medical Sanskrit literature (Carakasamhitā). A special attention is paid to one of these kinds of debate, called vitandā, which allows a dialectic limited to refutation and dismissed the defence of the own point of view. This type of dialectic, exercised by different schools of thought in which the negative argument would acquire a fundamental role, would find its scope of development in religious traditions as Madhyamaka Buddhism and Advaita Vedanta. The justification of such practices, in which the logic is represented as in a theatre, will give way to an ironic philosophy which found many points of contact with contemporary thought.
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spelling doaj.art-6cdb37358ede42aa8f86d0150ef3f9ab2023-01-03T09:27:06ZengUniversidad Nacional Autónoma de MéxicoActa Poética0185-30822013-05-0133210.19130/iifl.ap.2012.2.398397Philosophy on Stage: Theatricality, Ritual and Logic in Ancient IndiaJuan ArnauThe article analyses the public debates in ancient India, distinguishing the different modalities of these practices as they appear in the compendiums of logic (Nyāyasūtra) and in the medical Sanskrit literature (Carakasamhitā). A special attention is paid to one of these kinds of debate, called vitandā, which allows a dialectic limited to refutation and dismissed the defence of the own point of view. This type of dialectic, exercised by different schools of thought in which the negative argument would acquire a fundamental role, would find its scope of development in religious traditions as Madhyamaka Buddhism and Advaita Vedanta. The justification of such practices, in which the logic is represented as in a theatre, will give way to an ironic philosophy which found many points of contact with contemporary thought.https://revistas-filologicas.unam.mx/acta-poetica/index.php/ap/article/view/398Budismo madhyamaka, vitandā, debate, lógica, ironía.
spellingShingle Juan Arnau
Philosophy on Stage: Theatricality, Ritual and Logic in Ancient India
Acta Poética
Budismo madhyamaka, vitandā, debate, lógica, ironía.
title Philosophy on Stage: Theatricality, Ritual and Logic in Ancient India
title_full Philosophy on Stage: Theatricality, Ritual and Logic in Ancient India
title_fullStr Philosophy on Stage: Theatricality, Ritual and Logic in Ancient India
title_full_unstemmed Philosophy on Stage: Theatricality, Ritual and Logic in Ancient India
title_short Philosophy on Stage: Theatricality, Ritual and Logic in Ancient India
title_sort philosophy on stage theatricality ritual and logic in ancient india
topic Budismo madhyamaka, vitandā, debate, lógica, ironía.
url https://revistas-filologicas.unam.mx/acta-poetica/index.php/ap/article/view/398
work_keys_str_mv AT juanarnau philosophyonstagetheatricalityritualandlogicinancientindia