Écart dans les représentations
Over the past 20 years, Brazil has produced a series of “favela movies” based in Rio de Janeiro. Content analyses of a selected sample, as well as semi-directed interviews, suggest to the author that production teams have developed a specific modus operandi in filming these communities. As a result,...
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| Format: | Article |
| Language: | fra |
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Université Laval
2014-02-01
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| Series: | Communication |
| Subjects: | |
| Online Access: | http://journals.openedition.org/communication/4863 |
| _version_ | 1819071342289354752 |
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| author | Ana Carolina Alves Luz Pinto |
| author_facet | Ana Carolina Alves Luz Pinto |
| author_sort | Ana Carolina Alves Luz Pinto |
| collection | DOAJ |
| description | Over the past 20 years, Brazil has produced a series of “favela movies” based in Rio de Janeiro. Content analyses of a selected sample, as well as semi-directed interviews, suggest to the author that production teams have developed a specific modus operandi in filming these communities. As a result, there is a renewal of the more traditional media representations of these communities and the emergence of a deliberative, heterotopic, public sphere where fiction and socio-politics intersect. |
| first_indexed | 2024-12-21T17:20:18Z |
| format | Article |
| id | doaj.art-6ce35e0f717f46c5bc398c25570c7a7a |
| institution | Directory Open Access Journal |
| issn | 1189-3788 1920-7344 |
| language | fra |
| last_indexed | 2024-12-21T17:20:18Z |
| publishDate | 2014-02-01 |
| publisher | Université Laval |
| record_format | Article |
| series | Communication |
| spelling | doaj.art-6ce35e0f717f46c5bc398c25570c7a7a2022-12-21T18:56:10ZfraUniversité LavalCommunication1189-37881920-73442014-02-0132110.4000/communication.4863Écart dans les représentationsAna Carolina Alves Luz PintoOver the past 20 years, Brazil has produced a series of “favela movies” based in Rio de Janeiro. Content analyses of a selected sample, as well as semi-directed interviews, suggest to the author that production teams have developed a specific modus operandi in filming these communities. As a result, there is a renewal of the more traditional media representations of these communities and the emergence of a deliberative, heterotopic, public sphere where fiction and socio-politics intersect.http://journals.openedition.org/communication/4863cinemafavelasBrazilrepresentationpublic sphere |
| spellingShingle | Ana Carolina Alves Luz Pinto Écart dans les représentations Communication cinema favelas Brazil representation public sphere |
| title | Écart dans les représentations |
| title_full | Écart dans les représentations |
| title_fullStr | Écart dans les représentations |
| title_full_unstemmed | Écart dans les représentations |
| title_short | Écart dans les représentations |
| title_sort | ecart dans les representations |
| topic | cinema favelas Brazil representation public sphere |
| url | http://journals.openedition.org/communication/4863 |
| work_keys_str_mv | AT anacarolinaalvesluzpinto ecartdanslesrepresentations |