"Enseigner / apprendre" la prononciation autrement : une approche psychosociale musique-parole

Foreign language sound perception and production mediation, widely called "pronunciation teaching", has a particular status in language teaching. Very few teachers are really trained for this discipline, which is, even in L1 (and contrary to syntax or lexicon), mainly intuitive.Our paper a...

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Main Author: Grégory Miras
Format: Article
Language:English
Published: ACEDLE 2013-01-01
Series:Recherches en didactique des langues et des cultures
Subjects:
Online Access:http://journals.openedition.org/rdlc/1508
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author Grégory Miras
author_facet Grégory Miras
author_sort Grégory Miras
collection DOAJ
description Foreign language sound perception and production mediation, widely called "pronunciation teaching", has a particular status in language teaching. Very few teachers are really trained for this discipline, which is, even in L1 (and contrary to syntax or lexicon), mainly intuitive.Our paper aims to reflect a global view of the performance of pronunciation involving both acoustics and psychosocial factors. The paper also studies the links between music and speech in order to measure the impact of the kind of language (music or discourse) on individual representations. This impact will be studied through a quantitative and interdisciplinary survey showing that musicians have a better perception of their internal and external representations whereas speakers are mainly involved in interacting with others. This survey will allow us to propose didactic possibilities for foreign language sound perception and production mediation.
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spelling doaj.art-6d68a101a61a4f5b94c81fa88a64f3e72022-12-21T18:24:34ZengACEDLERecherches en didactique des langues et des cultures1958-57722013-01-0110110.4000/rdlc.1508"Enseigner / apprendre" la prononciation autrement : une approche psychosociale musique-paroleGrégory MirasForeign language sound perception and production mediation, widely called "pronunciation teaching", has a particular status in language teaching. Very few teachers are really trained for this discipline, which is, even in L1 (and contrary to syntax or lexicon), mainly intuitive.Our paper aims to reflect a global view of the performance of pronunciation involving both acoustics and psychosocial factors. The paper also studies the links between music and speech in order to measure the impact of the kind of language (music or discourse) on individual representations. This impact will be studied through a quantitative and interdisciplinary survey showing that musicians have a better perception of their internal and external representations whereas speakers are mainly involved in interacting with others. This survey will allow us to propose didactic possibilities for foreign language sound perception and production mediation.http://journals.openedition.org/rdlc/1508musicspeechpronunciationFrench as a Foreign Language
spellingShingle Grégory Miras
"Enseigner / apprendre" la prononciation autrement : une approche psychosociale musique-parole
Recherches en didactique des langues et des cultures
music
speech
pronunciation
French as a Foreign Language
title "Enseigner / apprendre" la prononciation autrement : une approche psychosociale musique-parole
title_full "Enseigner / apprendre" la prononciation autrement : une approche psychosociale musique-parole
title_fullStr "Enseigner / apprendre" la prononciation autrement : une approche psychosociale musique-parole
title_full_unstemmed "Enseigner / apprendre" la prononciation autrement : une approche psychosociale musique-parole
title_short "Enseigner / apprendre" la prononciation autrement : une approche psychosociale musique-parole
title_sort enseigner apprendre la prononciation autrement une approche psychosociale musique parole
topic music
speech
pronunciation
French as a Foreign Language
url http://journals.openedition.org/rdlc/1508
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