Bruce Mau Head for Heights

More than a biography, Bruce Mau deserves a log. He begins his journey when he leaves the Ontario College of Art and Design prematurely to work in the design studio Fifty Fingers, located in Toronto. His next stop, two years later, is Pentagram, at the other side of the Atlantic, in England (Smith,...

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Main Author: Pablo Hermansen
Format: Article
Language:English
Published: Pontificia Universidad Católica de Chile 2018-06-01
Series:Diseña
Online Access:https://revistadelaconstruccion.uc.cl/index.php/Disena/article/view/69
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author Pablo Hermansen
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description More than a biography, Bruce Mau deserves a log. He begins his journey when he leaves the Ontario College of Art and Design prematurely to work in the design studio Fifty Fingers, located in Toronto. His next stop, two years later, is Pentagram, at the other side of the Atlantic, in England (Smith, 2016; de Monchaux, 2007). In the United Kingdom of the 1980’s – postMalvinas/Falklands war and led by Margaret Thatcher –he was “actually introduced to the political life of the form (…) [and there he leared] how design and culture intertwine around language, equality and society” (de Monchaux, 2007). He returned from Europe aware of the social impact of design and of its power to transform the world: as he declares, from then on changing the world has become his project. Consequently, he assumes the challenge of designing not only to correctly contain and unfold a given information, but to produce models that materialize and expand all that they contain. With these goals in mind, he has dedicated over three decades to articulate actors, regions, disciplines and diverse knowledges.
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spelling doaj.art-6d947a999b6b4757b97acaa12fec97882024-03-08T21:34:25ZengPontificia Universidad Católica de ChileDiseña0718-84472452-42982018-06-0111Bruce Mau Head for HeightsPablo Hermansen0Pontificia Universidad Católica de Chile More than a biography, Bruce Mau deserves a log. He begins his journey when he leaves the Ontario College of Art and Design prematurely to work in the design studio Fifty Fingers, located in Toronto. His next stop, two years later, is Pentagram, at the other side of the Atlantic, in England (Smith, 2016; de Monchaux, 2007). In the United Kingdom of the 1980’s – postMalvinas/Falklands war and led by Margaret Thatcher –he was “actually introduced to the political life of the form (…) [and there he leared] how design and culture intertwine around language, equality and society” (de Monchaux, 2007). He returned from Europe aware of the social impact of design and of its power to transform the world: as he declares, from then on changing the world has become his project. Consequently, he assumes the challenge of designing not only to correctly contain and unfold a given information, but to produce models that materialize and expand all that they contain. With these goals in mind, he has dedicated over three decades to articulate actors, regions, disciplines and diverse knowledges. https://revistadelaconstruccion.uc.cl/index.php/Disena/article/view/69
spellingShingle Pablo Hermansen
Bruce Mau Head for Heights
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title Bruce Mau Head for Heights
title_full Bruce Mau Head for Heights
title_fullStr Bruce Mau Head for Heights
title_full_unstemmed Bruce Mau Head for Heights
title_short Bruce Mau Head for Heights
title_sort bruce mau head for heights
url https://revistadelaconstruccion.uc.cl/index.php/Disena/article/view/69
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