ANTONIO CARO, NICOLÁS DE RUEDA Y LA RETABLISTA BARROCA EN LA IGLESIA DE SAN PEDRO DE MURCIA

A series of unpublished documents concerning the facture of the main retable in St. Peter's church in Murcia (an incomplere part of in still persists today), offers us a material to study this piece. We also pay attention to the reasons which motivated the substitution of a former heredos made...

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Main Authors: Concepción De La Peña Velasco, María del Carmen Sánchez-Rojas Fenoll
Format: Article
Language:English
Published: Universidad de Murcia 1989-12-01
Series:Imafronte
Online Access:https://revistas.um.es/imafronte/article/view/40901
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author Concepción De La Peña Velasco
María del Carmen Sánchez-Rojas Fenoll
author_facet Concepción De La Peña Velasco
María del Carmen Sánchez-Rojas Fenoll
author_sort Concepción De La Peña Velasco
collection DOAJ
description A series of unpublished documents concerning the facture of the main retable in St. Peter's church in Murcia (an incomplere part of in still persists today), offers us a material to study this piece. We also pay attention to the reasons which motivated the substitution of a former heredos made by Antonio Caro from 1702 onwards, and to this former reredos itself. The typologic answer given by the author, Nicolás de Rueda, constitutes one of the examples of late baroque schemes, which cannot be understood without the presence of the imafronte. We also compile the bibliography on the chapel patronage by rhe Saavedra family.
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1989-4562
language English
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spelling doaj.art-6e6d7e3f21704906aeed1475c03cde782022-12-22T00:13:14ZengUniversidad de MurciaImafronte0213-392X1989-45621989-12-013-5ANTONIO CARO, NICOLÁS DE RUEDA Y LA RETABLISTA BARROCA EN LA IGLESIA DE SAN PEDRO DE MURCIAConcepción De La Peña VelascoMaría del Carmen Sánchez-Rojas FenollA series of unpublished documents concerning the facture of the main retable in St. Peter's church in Murcia (an incomplere part of in still persists today), offers us a material to study this piece. We also pay attention to the reasons which motivated the substitution of a former heredos made by Antonio Caro from 1702 onwards, and to this former reredos itself. The typologic answer given by the author, Nicolás de Rueda, constitutes one of the examples of late baroque schemes, which cannot be understood without the presence of the imafronte. We also compile the bibliography on the chapel patronage by rhe Saavedra family.https://revistas.um.es/imafronte/article/view/40901
spellingShingle Concepción De La Peña Velasco
María del Carmen Sánchez-Rojas Fenoll
ANTONIO CARO, NICOLÁS DE RUEDA Y LA RETABLISTA BARROCA EN LA IGLESIA DE SAN PEDRO DE MURCIA
Imafronte
title ANTONIO CARO, NICOLÁS DE RUEDA Y LA RETABLISTA BARROCA EN LA IGLESIA DE SAN PEDRO DE MURCIA
title_full ANTONIO CARO, NICOLÁS DE RUEDA Y LA RETABLISTA BARROCA EN LA IGLESIA DE SAN PEDRO DE MURCIA
title_fullStr ANTONIO CARO, NICOLÁS DE RUEDA Y LA RETABLISTA BARROCA EN LA IGLESIA DE SAN PEDRO DE MURCIA
title_full_unstemmed ANTONIO CARO, NICOLÁS DE RUEDA Y LA RETABLISTA BARROCA EN LA IGLESIA DE SAN PEDRO DE MURCIA
title_short ANTONIO CARO, NICOLÁS DE RUEDA Y LA RETABLISTA BARROCA EN LA IGLESIA DE SAN PEDRO DE MURCIA
title_sort antonio caro nicolas de rueda y la retablista barroca en la iglesia de san pedro de murcia
url https://revistas.um.es/imafronte/article/view/40901
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