Os modos de figuração da memória e das experiências diaspóricas em quatro documentários brasileiros

What are the traits and traces of memory that filmmakers usually focus on the narratives built on the socio-cultural reality of diasporic populations? Do the film images either work as reflections of diasporic memories or directly participate of the mechanisms of its redemption and of its mise-in-sc...

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Main Author: Mahomed Bamba
Format: Article
Language:English
Published: Centre de Recherches sur les Mondes Américains 2012-01-01
Series:Nuevo mundo - Mundos Nuevos
Subjects:
Online Access:https://journals.openedition.org/nuevomundo/62679
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author Mahomed Bamba
author_facet Mahomed Bamba
author_sort Mahomed Bamba
collection DOAJ
description What are the traits and traces of memory that filmmakers usually focus on the narratives built on the socio-cultural reality of diasporic populations? Do the film images either work as reflections of diasporic memories or directly participate of the mechanisms of its redemption and of its mise-in-scene in strategic public space? Based on these preliminary questions, and based on their own historicity and generalization of the term "diaspora", we begin with a theoretical  review of  the "diaspora issue" in order to reach  a more extensive and less "essentialist" notion of "diasporic cinema" to examine the strategies and modes of narrative construction in four films whose narrative and thematic content is formed by the diasporic imagination, identity and ancestry, as well as the history of struggles for political affirmation of african-descendants in Brazilian society. 
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spelling doaj.art-6f16b92f715f446bb43330c04f3999142024-02-14T16:51:06ZengCentre de Recherches sur les Mondes AméricainsNuevo mundo - Mundos Nuevos1626-02522012-01-0110.4000/nuevomundo.62679Os modos de figuração da memória e das experiências diaspóricas em quatro documentários brasileirosMahomed BambaWhat are the traits and traces of memory that filmmakers usually focus on the narratives built on the socio-cultural reality of diasporic populations? Do the film images either work as reflections of diasporic memories or directly participate of the mechanisms of its redemption and of its mise-in-scene in strategic public space? Based on these preliminary questions, and based on their own historicity and generalization of the term "diaspora", we begin with a theoretical  review of  the "diaspora issue" in order to reach  a more extensive and less "essentialist" notion of "diasporic cinema" to examine the strategies and modes of narrative construction in four films whose narrative and thematic content is formed by the diasporic imagination, identity and ancestry, as well as the history of struggles for political affirmation of african-descendants in Brazilian society. https://journals.openedition.org/nuevomundo/62679memorydiasporadiasporic cinemabrazilian cinemaAfro-descendants
spellingShingle Mahomed Bamba
Os modos de figuração da memória e das experiências diaspóricas em quatro documentários brasileiros
Nuevo mundo - Mundos Nuevos
memory
diaspora
diasporic cinema
brazilian cinema
Afro-descendants
title Os modos de figuração da memória e das experiências diaspóricas em quatro documentários brasileiros
title_full Os modos de figuração da memória e das experiências diaspóricas em quatro documentários brasileiros
title_fullStr Os modos de figuração da memória e das experiências diaspóricas em quatro documentários brasileiros
title_full_unstemmed Os modos de figuração da memória e das experiências diaspóricas em quatro documentários brasileiros
title_short Os modos de figuração da memória e das experiências diaspóricas em quatro documentários brasileiros
title_sort os modos de figuracao da memoria e das experiencias diasporicas em quatro documentarios brasileiros
topic memory
diaspora
diasporic cinema
brazilian cinema
Afro-descendants
url https://journals.openedition.org/nuevomundo/62679
work_keys_str_mv AT mahomedbamba osmodosdefiguracaodamemoriaedasexperienciasdiasporicasemquatrodocumentariosbrasileiros