Britten et l’art de la parabole
Between 1960 and 1971, Benjamin Britten seems to abandon large-scale opera in favour of more intimate pieces with a particularly obvious Christian message, his three "parables for church performances," which revisit medieval miracle plays through a specific musical language and stagecraft....
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| Format: | Article |
| Language: | English |
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Presses universitaires de Rennes
2004-05-01
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| Series: | Revue LISA |
| Online Access: | https://journals.openedition.org/lisa/2965 |