La ficción y el documento
The essay seeks to think about the consolidated opposition in modernity between the understanding of literature as fiction and the critique of the idea of literature as a document, commenting on two works by the Argentine author Belén López Peiró (Por qué volvías cada verano -2018- y Donde no hago p...
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| Format: | Article |
| Language: | Spanish |
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Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata
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| Series: | Cuadernos LIRICO |
| Subjects: | |
| Online Access: | https://journals.openedition.org/lirico/15560 |
| _version_ | 1797223190186950656 |
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| author | Luciene Azevedo |
| author_facet | Luciene Azevedo |
| author_sort | Luciene Azevedo |
| collection | DOAJ |
| description | The essay seeks to think about the consolidated opposition in modernity between the understanding of literature as fiction and the critique of the idea of literature as a document, commenting on two works by the Argentine author Belén López Peiró (Por qué volvías cada verano -2018- y Donde no hago pie - 2021-) considering the way in which, in both, it is possible to perceive a certain capture of debates present in the current public imagination, as well as their narrative exploration. An important hypothesis of this research proposal is that the tension created by the appropriation of documentary sources by many contemporary narratives may indicate an attempt to redefine the value and new frontiers for what we understand as literature in the present. Dealing with Belén López Peiró's narratives, it is intended to thematize the way in which the documentary turn (Klein, 2019; Contreras, 2018; Garramuño, 2019) can be the gateway to an interrogation about the peculiar ways in which fictions become entangled, and problematize the very idea of what we call reality in the present. |
| first_indexed | 2024-04-24T13:33:17Z |
| format | Article |
| id | doaj.art-6f4a218761914b20ac6aa79963c1051b |
| institution | Directory Open Access Journal |
| issn | 2262-8339 |
| language | Spanish |
| last_indexed | 2024-04-24T13:33:17Z |
| publisher | Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata |
| record_format | Article |
| series | Cuadernos LIRICO |
| spelling | doaj.art-6f4a218761914b20ac6aa79963c1051b2024-04-04T09:26:33ZspaRéseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la PlataCuadernos LIRICO2262-83392610.4000/lirico.15560La ficción y el documentoLuciene AzevedoThe essay seeks to think about the consolidated opposition in modernity between the understanding of literature as fiction and the critique of the idea of literature as a document, commenting on two works by the Argentine author Belén López Peiró (Por qué volvías cada verano -2018- y Donde no hago pie - 2021-) considering the way in which, in both, it is possible to perceive a certain capture of debates present in the current public imagination, as well as their narrative exploration. An important hypothesis of this research proposal is that the tension created by the appropriation of documentary sources by many contemporary narratives may indicate an attempt to redefine the value and new frontiers for what we understand as literature in the present. Dealing with Belén López Peiró's narratives, it is intended to thematize the way in which the documentary turn (Klein, 2019; Contreras, 2018; Garramuño, 2019) can be the gateway to an interrogation about the peculiar ways in which fictions become entangled, and problematize the very idea of what we call reality in the present.https://journals.openedition.org/lirico/15560fictionDocumentautonomyantifictionpublic imagination. |
| spellingShingle | Luciene Azevedo La ficción y el documento Cuadernos LIRICO fiction Document autonomy antifiction public imagination. |
| title | La ficción y el documento |
| title_full | La ficción y el documento |
| title_fullStr | La ficción y el documento |
| title_full_unstemmed | La ficción y el documento |
| title_short | La ficción y el documento |
| title_sort | la ficcion y el documento |
| topic | fiction Document autonomy antifiction public imagination. |
| url | https://journals.openedition.org/lirico/15560 |
| work_keys_str_mv | AT lucieneazevedo laficcionyeldocumento |