Divine regie e umane variazioni. Bibbia e teatro in George Tabori
The present contribution outlines George Tabori’s career as a playwright and a director in the time span between 1947 and 2007 in American and European theatre, emphasizing his position as a ‘wise stranger’ in German post-war culture. Then, the intertextual and metaphorical presence of the Holy Sc...
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| Format: | Article |
| Language: | English |
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Milano University Press
2011-06-01
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| Series: | Altre Modernità |
| Subjects: | |
| Online Access: | https://riviste.unimi.it/index.php/AMonline/article/view/1165 |
| _version_ | 1797716834145796096 |
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| author | Marco Castellari |
| author_facet | Marco Castellari |
| author_sort | Marco Castellari |
| collection | DOAJ |
| description | The present contribution outlines George Tabori’s career as a playwright and a director in the time span between 1947 and 2007 in American and European theatre, emphasizing his position as a ‘wise stranger’ in German post-war culture. Then, the intertextual and metaphorical presence of the Holy Scriptures in his plays The Cannibals (1969), Mein Kampf (1987), and especially The Goldberg Variations (1991) is examined with respect to the key issues of his production: anti-Semitism before, during and after the Holocaust and its representation on the contemporary stage. |
| first_indexed | 2024-03-12T08:27:48Z |
| format | Article |
| id | doaj.art-6fa8299d65d148fb9c2387442651f830 |
| institution | Directory Open Access Journal |
| issn | 2035-7680 |
| language | English |
| last_indexed | 2024-03-12T08:27:48Z |
| publishDate | 2011-06-01 |
| publisher | Milano University Press |
| record_format | Article |
| series | Altre Modernità |
| spelling | doaj.art-6fa8299d65d148fb9c2387442651f8302023-09-02T18:00:03ZengMilano University PressAltre Modernità2035-76802011-06-0100829010.13130/2035-7680/11651080Divine regie e umane variazioni. Bibbia e teatro in George TaboriMarco Castellari0Università degli Studi di MilanoThe present contribution outlines George Tabori’s career as a playwright and a director in the time span between 1947 and 2007 in American and European theatre, emphasizing his position as a ‘wise stranger’ in German post-war culture. Then, the intertextual and metaphorical presence of the Holy Scriptures in his plays The Cannibals (1969), Mein Kampf (1987), and especially The Goldberg Variations (1991) is examined with respect to the key issues of his production: anti-Semitism before, during and after the Holocaust and its representation on the contemporary stage.https://riviste.unimi.it/index.php/AMonline/article/view/1165TaboriteatroBibbiashoahantisemitismo |
| spellingShingle | Marco Castellari Divine regie e umane variazioni. Bibbia e teatro in George Tabori Altre Modernità Tabori teatro Bibbia shoah antisemitismo |
| title | Divine regie e umane variazioni. Bibbia e teatro in George Tabori |
| title_full | Divine regie e umane variazioni. Bibbia e teatro in George Tabori |
| title_fullStr | Divine regie e umane variazioni. Bibbia e teatro in George Tabori |
| title_full_unstemmed | Divine regie e umane variazioni. Bibbia e teatro in George Tabori |
| title_short | Divine regie e umane variazioni. Bibbia e teatro in George Tabori |
| title_sort | divine regie e umane variazioni bibbia e teatro in george tabori |
| topic | Tabori teatro Bibbia shoah antisemitismo |
| url | https://riviste.unimi.it/index.php/AMonline/article/view/1165 |
| work_keys_str_mv | AT marcocastellari divineregieeumanevariazionibibbiaeteatroingeorgetabori |