O corpo da cena no balé clássico: entre técnicas, expressividade e imitações prestigiosas
<p class="western" align="justify">Considered as one of the possibilities of performing arts, the classical ballet can be understood as a way in which stories depend on characters who, without the use of words, enact stories which are typical of the traditional repertoire....
| Main Authors: | , , |
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| Format: | Article |
| Language: | English |
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Instituto Federal de Educação, Ciência e Tecnologia da Paraíba
2020-03-01
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| Series: | Revista Principia |
| Subjects: | |
| Online Access: | https://periodicos.ifpb.edu.br/index.php/principia/article/view/3519 |
| _version_ | 1797984412521988096 |
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| author | Kátia Silva Souza dos Anjos Marília Velardi Régia Cristina Oliveira |
| author_facet | Kátia Silva Souza dos Anjos Marília Velardi Régia Cristina Oliveira |
| author_sort | Kátia Silva Souza dos Anjos |
| collection | DOAJ |
| description | <p class="western" align="justify">Considered as one of the possibilities of performing arts, the classical ballet can be understood as a way in which stories depend on characters who, without the use of words, enact stories which are typical of the traditional repertoire. This text aims to discuss issues related to the body of the scene, the scenic body of the artist in classical ballet. In order to do so, we conducted a qualitative investigation and used the observation of ballet shows and ten semistructured interviews with Brazilian professional dancers as investigation techniques. The testimonies of the classical professional dancers were the material that allowed the analyzes of the speeches. Based on the analyzes, we highlight the following results: the existence of a prestigious imitation among the dancers who were interviewed; the existence of an “extracotidiano 1” body in classical ballet; the existence of explicit and implicit techniques in ballet. The study is based upon a theoretical perspective that takes not only the body of classical ballet and its techniques, but the human body itself and its techniques as sociocultural reality, produced in culture, according to rules and values defined by this reality and the social field that builds them.</p> |
| first_indexed | 2024-04-11T07:01:10Z |
| format | Article |
| id | doaj.art-6fbe77cdfcfe40979b840f8941528844 |
| institution | Directory Open Access Journal |
| issn | 1517-0306 2447-9187 |
| language | English |
| last_indexed | 2024-04-11T07:01:10Z |
| publishDate | 2020-03-01 |
| publisher | Instituto Federal de Educação, Ciência e Tecnologia da Paraíba |
| record_format | Article |
| series | Revista Principia |
| spelling | doaj.art-6fbe77cdfcfe40979b840f89415288442022-12-22T04:38:39ZengInstituto Federal de Educação, Ciência e Tecnologia da ParaíbaRevista Principia1517-03062447-91872020-03-0114820120910.18265/1517-03062015v1n48p201-2091065O corpo da cena no balé clássico: entre técnicas, expressividade e imitações prestigiosasKátia Silva Souza dos Anjos0Marília Velardi1Régia Cristina Oliveira2Centrou Universitário Senac-SPUniversidade de São Paulo (USP)Universidade de São Paulo (USP)<p class="western" align="justify">Considered as one of the possibilities of performing arts, the classical ballet can be understood as a way in which stories depend on characters who, without the use of words, enact stories which are typical of the traditional repertoire. This text aims to discuss issues related to the body of the scene, the scenic body of the artist in classical ballet. In order to do so, we conducted a qualitative investigation and used the observation of ballet shows and ten semistructured interviews with Brazilian professional dancers as investigation techniques. The testimonies of the classical professional dancers were the material that allowed the analyzes of the speeches. Based on the analyzes, we highlight the following results: the existence of a prestigious imitation among the dancers who were interviewed; the existence of an “extracotidiano 1” body in classical ballet; the existence of explicit and implicit techniques in ballet. The study is based upon a theoretical perspective that takes not only the body of classical ballet and its techniques, but the human body itself and its techniques as sociocultural reality, produced in culture, according to rules and values defined by this reality and the social field that builds them.</p>https://periodicos.ifpb.edu.br/index.php/principia/article/view/3519scenic body. classical ballet. techniques. |
| spellingShingle | Kátia Silva Souza dos Anjos Marília Velardi Régia Cristina Oliveira O corpo da cena no balé clássico: entre técnicas, expressividade e imitações prestigiosas Revista Principia scenic body. classical ballet. techniques. |
| title | O corpo da cena no balé clássico: entre técnicas, expressividade e imitações prestigiosas |
| title_full | O corpo da cena no balé clássico: entre técnicas, expressividade e imitações prestigiosas |
| title_fullStr | O corpo da cena no balé clássico: entre técnicas, expressividade e imitações prestigiosas |
| title_full_unstemmed | O corpo da cena no balé clássico: entre técnicas, expressividade e imitações prestigiosas |
| title_short | O corpo da cena no balé clássico: entre técnicas, expressividade e imitações prestigiosas |
| title_sort | o corpo da cena no bale classico entre tecnicas expressividade e imitacoes prestigiosas |
| topic | scenic body. classical ballet. techniques. |
| url | https://periodicos.ifpb.edu.br/index.php/principia/article/view/3519 |
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