That-which-new media studies-will-become

This paper engages with the question of how new media can be thought as "new" when new media are nothing new. Through the concepts of virtuality (Deleuze), spectrality (Derrida) and projection (Heidegger), the paper offers offers some ways to think this question. The instance of photograph...

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Main Author: Phillip Roe
Format: Article
Language:English
Published: Open Humanities Press 2003-01-01
Series:Fibreculture Journal
Subjects:
Online Access:http://two.fibreculturejournal.org/that-which-new-media-studies-will-become-2/
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author Phillip Roe
author_facet Phillip Roe
author_sort Phillip Roe
collection DOAJ
description This paper engages with the question of how new media can be thought as "new" when new media are nothing new. Through the concepts of virtuality (Deleuze), spectrality (Derrida) and projection (Heidegger), the paper offers offers some ways to think this question. The instance of photography is used to demonstrate the central thesis of the paper: that a new medium is always in advance of itself the emergence of particular technologies is always a result of discursive desires manifesting within culture prior to the technologies themselves. The paper proposes that we can approach the emergence of new media (technologies) in the same way, and offers the hologram as an instance that is attempting to manifest a post-print textuality a culture of writing-to-come. It proposes that new media studies must think this virtual time in order to engage with the question of the "new" of new media as a productive engagement with culture and new media technologies.
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spelling doaj.art-6fc48989fac04751954fcb05edff1ccd2022-12-22T01:32:01ZengOpen Humanities PressFibreculture Journal1449-14432003-01-012That-which-new media studies-will-becomePhillip RoeThis paper engages with the question of how new media can be thought as "new" when new media are nothing new. Through the concepts of virtuality (Deleuze), spectrality (Derrida) and projection (Heidegger), the paper offers offers some ways to think this question. The instance of photography is used to demonstrate the central thesis of the paper: that a new medium is always in advance of itself the emergence of particular technologies is always a result of discursive desires manifesting within culture prior to the technologies themselves. The paper proposes that we can approach the emergence of new media (technologies) in the same way, and offers the hologram as an instance that is attempting to manifest a post-print textuality a culture of writing-to-come. It proposes that new media studies must think this virtual time in order to engage with the question of the "new" of new media as a productive engagement with culture and new media technologies.http://two.fibreculturejournal.org/that-which-new-media-studies-will-become-2/new media theory: Derrida
spellingShingle Phillip Roe
That-which-new media studies-will-become
Fibreculture Journal
new media theory: Derrida
title That-which-new media studies-will-become
title_full That-which-new media studies-will-become
title_fullStr That-which-new media studies-will-become
title_full_unstemmed That-which-new media studies-will-become
title_short That-which-new media studies-will-become
title_sort that which new media studies will become
topic new media theory: Derrida
url http://two.fibreculturejournal.org/that-which-new-media-studies-will-become-2/
work_keys_str_mv AT philliproe thatwhichnewmediastudieswillbecome