Exposing the world through Emanuel Lubezki's method

This article is based on the concept of exposing the world through the lens of cinema by a cinematographer. Without a cinematographer, movies are not as visually and emotionally impactful on audiences. Cinema is trying to penetrate beyond things and create an utterly phenomenological experience. Ci...

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Main Authors: Majid Bagherzadeh, Elyas Sanati, Masoud Naghipour
Format: Article
Language:English
Published: University of Pittsburgh 2023-10-01
Series:CINEJ Cinema Journal
Subjects:
Online Access:http://cinej.pitt.edu/ojs/cinej/article/view/447
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author Majid Bagherzadeh
Elyas Sanati
Masoud Naghipour
author_facet Majid Bagherzadeh
Elyas Sanati
Masoud Naghipour
author_sort Majid Bagherzadeh
collection DOAJ
description This article is based on the concept of exposing the world through the lens of cinema by a cinematographer. Without a cinematographer, movies are not as visually and emotionally impactful on audiences. Cinema is trying to penetrate beyond things and create an utterly phenomenological experience. Cinematographers are responsible for creating the audience's emotions through various cinematic techniques. It is perhaps one of their most significant roles is to promote the cinematic frame as a mediator. This research claims that the cinema’s camera illuminates the world through focusing and framing components. It provides the cinematic image with a cinematic presence and makes it feasible in a phenomenological sense (return to things themselves). And eventually, this leads to viewer buoyancy and immersiveness. 
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spelling doaj.art-6fcd4c9f56f74551b46d49e9c2810bd02023-10-20T18:40:24ZengUniversity of PittsburghCINEJ Cinema Journal2158-87242023-10-0111110.5195/cinej.2023.447Exposing the world through Emanuel Lubezki's methodMajid BagherzadehElyas SanatiMasoud Naghipour This article is based on the concept of exposing the world through the lens of cinema by a cinematographer. Without a cinematographer, movies are not as visually and emotionally impactful on audiences. Cinema is trying to penetrate beyond things and create an utterly phenomenological experience. Cinematographers are responsible for creating the audience's emotions through various cinematic techniques. It is perhaps one of their most significant roles is to promote the cinematic frame as a mediator. This research claims that the cinema’s camera illuminates the world through focusing and framing components. It provides the cinematic image with a cinematic presence and makes it feasible in a phenomenological sense (return to things themselves). And eventually, this leads to viewer buoyancy and immersiveness.  http://cinej.pitt.edu/ojs/cinej/article/view/447cinematographic frameLubezkifocusingimmersionfluid camera
spellingShingle Majid Bagherzadeh
Elyas Sanati
Masoud Naghipour
Exposing the world through Emanuel Lubezki's method
CINEJ Cinema Journal
cinematographic frame
Lubezki
focusing
immersion
fluid camera
title Exposing the world through Emanuel Lubezki's method
title_full Exposing the world through Emanuel Lubezki's method
title_fullStr Exposing the world through Emanuel Lubezki's method
title_full_unstemmed Exposing the world through Emanuel Lubezki's method
title_short Exposing the world through Emanuel Lubezki's method
title_sort exposing the world through emanuel lubezki s method
topic cinematographic frame
Lubezki
focusing
immersion
fluid camera
url http://cinej.pitt.edu/ojs/cinej/article/view/447
work_keys_str_mv AT majidbagherzadeh exposingtheworldthroughemanuellubezkismethod
AT elyassanati exposingtheworldthroughemanuellubezkismethod
AT masoudnaghipour exposingtheworldthroughemanuellubezkismethod