Memorias Selectivas: Two Films by Spanish Punk Women
The role of women in punk has been dominated by a particular doxa and by repeated acts of omission and misrepresentation. This has certainly been the case in much of the historiography and journalism about Spanish punk/la Movida, where a more nuanced and rigorous narrative about punk/la Movida and i...
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| Format: | Article |
| Language: | Catalan |
| Published: |
Universitat de Barcelona
2017-10-01
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| Series: | Lectora: Revista de Dones i Textualitat |
| Subjects: | |
| Online Access: | https://revistes.ub.edu/index.php/lectora/article/view/20292 |
| _version_ | 1818405983528943616 |
|---|---|
| author | Nuria Triana Toribio |
| author_facet | Nuria Triana Toribio |
| author_sort | Nuria Triana Toribio |
| collection | DOAJ |
| description | The role of women in punk has been dominated by a particular doxa and by repeated acts of omission and misrepresentation. This has certainly been the case in much of the historiography and journalism about Spanish punk/la Movida, where a more nuanced and rigorous narrative about punk/la Movida and its women still needs to be created. This article addresses some discourses that dominate the commemorations of the movement and how they interact in the work of two women who were not simply witnesses but took part in the musical scene: Chus Gutiérrez and Beatriz Alonso Aranzábal. |
| first_indexed | 2024-12-14T09:04:43Z |
| format | Article |
| id | doaj.art-6fd6e1d469a04629898cd643a8bbc841 |
| institution | Directory Open Access Journal |
| issn | 1136-5781 2013-9470 |
| language | Catalan |
| last_indexed | 2024-12-14T09:04:43Z |
| publishDate | 2017-10-01 |
| publisher | Universitat de Barcelona |
| record_format | Article |
| series | Lectora: Revista de Dones i Textualitat |
| spelling | doaj.art-6fd6e1d469a04629898cd643a8bbc8412022-12-21T23:08:44ZcatUniversitat de BarcelonaLectora: Revista de Dones i Textualitat1136-57812013-94702017-10-012317325Memorias Selectivas: Two Films by Spanish Punk WomenNuria Triana Toribio0University of KentThe role of women in punk has been dominated by a particular doxa and by repeated acts of omission and misrepresentation. This has certainly been the case in much of the historiography and journalism about Spanish punk/la Movida, where a more nuanced and rigorous narrative about punk/la Movida and its women still needs to be created. This article addresses some discourses that dominate the commemorations of the movement and how they interact in the work of two women who were not simply witnesses but took part in the musical scene: Chus Gutiérrez and Beatriz Alonso Aranzábal.https://revistes.ub.edu/index.php/lectora/article/view/20292genderpunkSpainla Movidala transición |
| spellingShingle | Nuria Triana Toribio Memorias Selectivas: Two Films by Spanish Punk Women Lectora: Revista de Dones i Textualitat gender punk Spain la Movida la transición |
| title | Memorias Selectivas: Two Films by Spanish Punk Women |
| title_full | Memorias Selectivas: Two Films by Spanish Punk Women |
| title_fullStr | Memorias Selectivas: Two Films by Spanish Punk Women |
| title_full_unstemmed | Memorias Selectivas: Two Films by Spanish Punk Women |
| title_short | Memorias Selectivas: Two Films by Spanish Punk Women |
| title_sort | memorias selectivas two films by spanish punk women |
| topic | gender punk Spain la Movida la transición |
| url | https://revistes.ub.edu/index.php/lectora/article/view/20292 |
| work_keys_str_mv | AT nuriatrianatoribio memoriasselectivastwofilmsbyspanishpunkwomen |