Eva Kmentová a tělesný otisk v umění šedesátých a sedmdesátých let
This work deals with a physical body imprint in Art of sixties and seventies, analysing – in a form of comparative and case studies – selected works of the Czech sculptor Eva Kmentová (1928–1980). The issue of body imprint is gripped in a broader theoretical context and is based on decisive foreign...
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| Format: | Article |
| Language: | ces |
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Karolinum Press
2017-09-01
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| Series: | Acta Universitatis Carolinae: Philosophica et Historica |
| Subjects: | |
| Online Access: | http://www.karolinum.cz/doi/10.14712/24647055.2016.24 |
| _version_ | 1818788365973061632 |
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| author | Tereza Hrušková |
| author_facet | Tereza Hrušková |
| author_sort | Tereza Hrušková |
| collection | DOAJ |
| description | This work deals with a physical body imprint in Art of sixties and seventies, analysing – in a form of comparative and case studies – selected works of the Czech sculptor Eva Kmentová (1928–1980). The issue of body imprint is gripped in a broader theoretical context and is based on decisive foreign works of George Didi-Huberman and of Rosalind Krauss with Yve-Alain Bois. The aim of the thesis is to show another possible perspective of Kmentová’s work in the much broader international perspective. |
| first_indexed | 2024-12-18T14:22:31Z |
| format | Article |
| id | doaj.art-70231dc56c8148c98c78022aea282326 |
| institution | Directory Open Access Journal |
| issn | 0567-8293 2464-7055 |
| language | ces |
| last_indexed | 2024-12-18T14:22:31Z |
| publishDate | 2017-09-01 |
| publisher | Karolinum Press |
| record_format | Article |
| series | Acta Universitatis Carolinae: Philosophica et Historica |
| spelling | doaj.art-70231dc56c8148c98c78022aea2823262022-12-21T21:04:49ZcesKarolinum PressActa Universitatis Carolinae: Philosophica et Historica0567-82932464-70552017-09-012016114717610.14712/24647055.2016.244607Eva Kmentová a tělesný otisk v umění šedesátých a sedmdesátých letTereza HruškováThis work deals with a physical body imprint in Art of sixties and seventies, analysing – in a form of comparative and case studies – selected works of the Czech sculptor Eva Kmentová (1928–1980). The issue of body imprint is gripped in a broader theoretical context and is based on decisive foreign works of George Didi-Huberman and of Rosalind Krauss with Yve-Alain Bois. The aim of the thesis is to show another possible perspective of Kmentová’s work in the much broader international perspective.http://www.karolinum.cz/doi/10.14712/24647055.2016.24Eva KmentováJindřich ChalupeckýGiuseppe PenoneGeorge-Didi HubermanYve-Alain BoisRosalind KraussKonfrontace (The Confrontation)body imprintindexphotographyobjectinformeformlessnesssurrealismskinfragment |
| spellingShingle | Tereza Hrušková Eva Kmentová a tělesný otisk v umění šedesátých a sedmdesátých let Acta Universitatis Carolinae: Philosophica et Historica Eva Kmentová Jindřich Chalupecký Giuseppe Penone George-Didi Huberman Yve-Alain Bois Rosalind Krauss Konfrontace (The Confrontation) body imprint index photography object informe formlessness surrealism skin fragment |
| title | Eva Kmentová a tělesný otisk v umění šedesátých a sedmdesátých let |
| title_full | Eva Kmentová a tělesný otisk v umění šedesátých a sedmdesátých let |
| title_fullStr | Eva Kmentová a tělesný otisk v umění šedesátých a sedmdesátých let |
| title_full_unstemmed | Eva Kmentová a tělesný otisk v umění šedesátých a sedmdesátých let |
| title_short | Eva Kmentová a tělesný otisk v umění šedesátých a sedmdesátých let |
| title_sort | eva kmentova a telesny otisk v umeni sedesatych a sedmdesatych let |
| topic | Eva Kmentová Jindřich Chalupecký Giuseppe Penone George-Didi Huberman Yve-Alain Bois Rosalind Krauss Konfrontace (The Confrontation) body imprint index photography object informe formlessness surrealism skin fragment |
| url | http://www.karolinum.cz/doi/10.14712/24647055.2016.24 |
| work_keys_str_mv | AT terezahruskova evakmentovaatelesnyotiskvumenisedesatychasedmdesatychlet |