Narrations of a nation: Montenegrin self-representation through (re) construction of cultural memory

The paper considers a multi-levelled process of construction and reconstruction of Montenegrin cultural  memory  through  the  medieval  national history  revived  in  the  19th century  theatre  play Balkanska carica (Balkan empress, 1884) by the Prince  and  the  first  Montenegrin  king  Ni...

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Main Author: Tatjana Marković
Format: Article
Language:deu
Published: University of Ljubljana Press (Založba Univerze v Ljubljani) 2015-06-01
Series:Muzikološki Zbornik
Subjects:
Online Access:https://journals.uni-lj.si/MuzikoloskiZbornik/article/view/3507
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author Tatjana Marković
author_facet Tatjana Marković
author_sort Tatjana Marković
collection DOAJ
description The paper considers a multi-levelled process of construction and reconstruction of Montenegrin cultural  memory  through  the  medieval  national history  revived  in  the  19th century  theatre  play Balkanska carica (Balkan empress, 1884) by the Prince  and  the  first  Montenegrin  king  Nikola  I Petrović Njegoš, the opera with the same name by Dionisio de Sarno-San Giorgio (1891) and then one more time in 2006, when the opera was premiered, in the given political and cultural contexts.
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spelling doaj.art-703f6ee8a666455296e5a1be6c8bad992023-01-18T12:56:58ZdeuUniversity of Ljubljana Press (Založba Univerze v Ljubljani)Muzikološki Zbornik0580-373X2350-42422015-06-0151213914810.4312/mz.51.2.139-1482862Narrations of a nation: Montenegrin self-representation through (re) construction of cultural memoryTatjana Marković0Institut für Analyse, Theorie und Geschichte der Musik, Universität für Musik und darstellende Kunst WienThe paper considers a multi-levelled process of construction and reconstruction of Montenegrin cultural  memory  through  the  medieval  national history  revived  in  the  19th century  theatre  play Balkanska carica (Balkan empress, 1884) by the Prince  and  the  first  Montenegrin  king  Nikola  I Petrović Njegoš, the opera with the same name by Dionisio de Sarno-San Giorgio (1891) and then one more time in 2006, when the opera was premiered, in the given political and cultural contexts.https://journals.uni-lj.si/MuzikoloskiZbornik/article/view/3507montenegronational self-representationcultural memoryoperabalkanska carica (balkan empress)nikola i petrović njegošdionisio de sarno-san giorgio
spellingShingle Tatjana Marković
Narrations of a nation: Montenegrin self-representation through (re) construction of cultural memory
Muzikološki Zbornik
montenegro
national self-representation
cultural memory
opera
balkanska carica (balkan empress)
nikola i petrović njegoš
dionisio de sarno-san giorgio
title Narrations of a nation: Montenegrin self-representation through (re) construction of cultural memory
title_full Narrations of a nation: Montenegrin self-representation through (re) construction of cultural memory
title_fullStr Narrations of a nation: Montenegrin self-representation through (re) construction of cultural memory
title_full_unstemmed Narrations of a nation: Montenegrin self-representation through (re) construction of cultural memory
title_short Narrations of a nation: Montenegrin self-representation through (re) construction of cultural memory
title_sort narrations of a nation montenegrin self representation through re construction of cultural memory
topic montenegro
national self-representation
cultural memory
opera
balkanska carica (balkan empress)
nikola i petrović njegoš
dionisio de sarno-san giorgio
url https://journals.uni-lj.si/MuzikoloskiZbornik/article/view/3507
work_keys_str_mv AT tatjanamarkovic narrationsofanationmontenegrinselfrepresentationthroughreconstructionofculturalmemory