Narrations of a nation: Montenegrin self-representation through (re) construction of cultural memory
The paper considers a multi-levelled process of construction and reconstruction of Montenegrin cultural memory through the medieval national history revived in the 19th century theatre play Balkanska carica (Balkan empress, 1884) by the Prince and the first Montenegrin king Ni...
Main Author: | |
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Format: | Article |
Language: | deu |
Published: |
University of Ljubljana Press (Založba Univerze v Ljubljani)
2015-06-01
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Series: | Muzikološki Zbornik |
Subjects: | |
Online Access: | https://journals.uni-lj.si/MuzikoloskiZbornik/article/view/3507 |
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author | Tatjana Marković |
author_facet | Tatjana Marković |
author_sort | Tatjana Marković |
collection | DOAJ |
description | The paper considers a multi-levelled process of
construction and reconstruction of Montenegrin
cultural memory through the medieval national
history revived in the 19th
century theatre play
Balkanska carica (Balkan empress, 1884) by the
Prince and the first Montenegrin king Nikola I Petrović Njegoš, the opera with the same name by
Dionisio de Sarno-San Giorgio (1891) and then one
more time in 2006, when the opera was premiered,
in the given political and cultural contexts. |
first_indexed | 2024-04-10T21:51:17Z |
format | Article |
id | doaj.art-703f6ee8a666455296e5a1be6c8bad99 |
institution | Directory Open Access Journal |
issn | 0580-373X 2350-4242 |
language | deu |
last_indexed | 2024-04-10T21:51:17Z |
publishDate | 2015-06-01 |
publisher | University of Ljubljana Press (Založba Univerze v Ljubljani) |
record_format | Article |
series | Muzikološki Zbornik |
spelling | doaj.art-703f6ee8a666455296e5a1be6c8bad992023-01-18T12:56:58ZdeuUniversity of Ljubljana Press (Založba Univerze v Ljubljani)Muzikološki Zbornik0580-373X2350-42422015-06-0151213914810.4312/mz.51.2.139-1482862Narrations of a nation: Montenegrin self-representation through (re) construction of cultural memoryTatjana Marković0Institut für Analyse, Theorie und Geschichte der Musik, Universität für Musik und darstellende Kunst WienThe paper considers a multi-levelled process of construction and reconstruction of Montenegrin cultural memory through the medieval national history revived in the 19th century theatre play Balkanska carica (Balkan empress, 1884) by the Prince and the first Montenegrin king Nikola I Petrović Njegoš, the opera with the same name by Dionisio de Sarno-San Giorgio (1891) and then one more time in 2006, when the opera was premiered, in the given political and cultural contexts.https://journals.uni-lj.si/MuzikoloskiZbornik/article/view/3507montenegronational self-representationcultural memoryoperabalkanska carica (balkan empress)nikola i petrović njegošdionisio de sarno-san giorgio |
spellingShingle | Tatjana Marković Narrations of a nation: Montenegrin self-representation through (re) construction of cultural memory Muzikološki Zbornik montenegro national self-representation cultural memory opera balkanska carica (balkan empress) nikola i petrović njegoš dionisio de sarno-san giorgio |
title | Narrations of a nation: Montenegrin self-representation through (re) construction of cultural memory |
title_full | Narrations of a nation: Montenegrin self-representation through (re) construction of cultural memory |
title_fullStr | Narrations of a nation: Montenegrin self-representation through (re) construction of cultural memory |
title_full_unstemmed | Narrations of a nation: Montenegrin self-representation through (re) construction of cultural memory |
title_short | Narrations of a nation: Montenegrin self-representation through (re) construction of cultural memory |
title_sort | narrations of a nation montenegrin self representation through re construction of cultural memory |
topic | montenegro national self-representation cultural memory opera balkanska carica (balkan empress) nikola i petrović njegoš dionisio de sarno-san giorgio |
url | https://journals.uni-lj.si/MuzikoloskiZbornik/article/view/3507 |
work_keys_str_mv | AT tatjanamarkovic narrationsofanationmontenegrinselfrepresentationthroughreconstructionofculturalmemory |